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"Far beneath the majesty and splendour of the Paris Opera House, hides the Phantom in a shadowy existence. Shamed by his physical appearance and feared by all, the love he holds for his beautiful protégée Christine Daaé is so strong that even her heart cannot resist."
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*There are evening performances Monday-Saturday at 7.30pm. There are also matinee performances on Tuesday and Saturday at 2.30pm until the end of October. After this, the matinees will be performed on Thursday and Saturday!*
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To book access seats for Phantom, please call 0844 412 4648 where you can get unrestricted view seats in the stalls from £22.50 each for you and a companion/carer! For all other tickets types for Phantom, please call 0844 412 2707.
Access London's next Phantom 25 post will look more at the accessible facilities available at The Royal Albert Hall.
For every Phantom 25th post Access London has written, we have been delighted to share with you an interview we have done with a current/former/original cast member. Today, we are delighted to share with you an interview with former Piangi, Lee Bowen. Access London would like to take this opportunity to say a huge Thank You to Lee for taking the time to answer our questions and for all his continued support for Access London.
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LB: This was a dream job for me, I had always wanted to be a performer in the West End and to get a job in one of its most iconic shows was amazing. It was a great challenge to take on the role of Piangi after many acclaimed performers but I was given a great deal of encouragement from the production team and was able to develop the character and add my own personal stamp upon Piangi.
AL: Why do you think audiences come back to watch the show time and again?
LB: I think as a piece of work it ticks all the boxes - it has a great story, the music is great with some of Lloyd-Webber's best writing not only for solo voice but for ensemble and orchestral music. Also the sets and costumes are fantastic. Emotionally it takes you into a world of fantasy but with a touch of reality which is totally gripping.
Mix that with Hal Prince (original director), Gillian Lynne (choreography), Charles Hart (lyrics) and Maria Bjornson (design) and you have a success!
AL: You played Piangi in the show, what was it like to play such an extrovert and diva-like character?
LB: Piangi was a great role for me as he is so extrovert and diva like, everything about him was exaggerated and over the top which is something I really enjoy . I was also very lucky as the production team really allowed me to put my personal stamp upon the character and also to have Sian Cothi playing the role of Carlotta. We started at the same time and together we worked really well on stage.
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LB: My favourite scene would have to be the first managers scene in the first half. Here, the real character of Piangi is really seen as someone quite vulnerable. Also there are some great musical moments in this scene especially during "prima donna" where as a singer you have a great line an octave above the two managers. Interestingly in the original production Piangi actually wasn't in this scene and added at a later date. Although, I did enjoy the opening scene with the elephant and very heavy cloak!
AL: Which Phantoms and Christines did you perform alongside?
LB: I was lucky enough to perform alongside one of the best Phantoms in Scott Davies also John Owen-Jones and Richard Halton. I worked alongside Charlotte Paige, Deborah Dutcher and a long-term friend from my part of the world Claire Louise Hammacott.
AL: You sang the voiceover for Piangi in the 2004 film version of Phantom, what was that experience like?
LB: The actual recording of the soundtrack was a great experience and I feel very privileged to have been asked at the last minute.
AL: If you could play any role(s) in musical theatre, what would it/they be?
LB: I would love to play the role of Thenardier in Les Miserables, this would be the absolute dream for me. Other roles include Mr Bumble in Oliver and Pirelli in Sweeney Todd.
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LB: Penblwydd Hapus/ Happy Birthday to Phantom of the Opera after an incredible 25 years in the West End. Diolch yn fawr/ thank you to all the dedicated fans who have loved the show and kept it at the top for so long. Here's to the next 25 years. Lots of love, Lee Bowen.
Since this interview, Lee has changed his stage name to Lee Bowen.
You can find out more about Lee on his agent's site MUSIC INTERNATIONAL
You can also follow Lee for all his latest news on Twitter @LeeBowenTenor
COMING NEXT: The Belle's Stratagem & The Southwark Playhouse
COMING SOON: The Cavendish Hotel's Autumn Offer, Priscilla and Interview, The Globe Exhibition, More Phantom 25 and Interviews (including Sofia Escobar, Rosemary Ashe, Rebecca Caine, Scott Davies, Gina Beck....)
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