Phantom of the Opera & Cast Interview with Simon Shorten

Welcome back to Access London and Thank You once again for continuing to support disabled access to the arts in London.

Today's post is an update on some of the Access information for Her Majesty's Theatre, home to Phantom of the Opera and located on the Haymarket. There is also an interview with cast member Simon Shorten.

Her Majesty's Theatre has level access for wheelchairs, scooters and those who cannot manage stairs on Charles II street. Simply make yourself known to someone at the front of the theatre (usually someone is around from 30 minutes before a performance) and they will escort you around to the side entrance. This entrance leads into the rear of the stalls.


The stalls have a storage area for wheelchairs and scooters and an accessible WC. There are spaces for 4 wheelchairs in row S in the stalls. If you can transfer, any aisle seat in the stalls can be booked (subject to availability). An usher is assigned to help and assist those in the wheelchair spaces and transfer seats.

There is an infra-red hearing loop system with 10 headsets available to use - these can be collected from the cloakroom or ask a member of staff for one (a receipt needs to be signed). Two assistance dogs per performance are permitted at Her Majesty's. Large print programmes and braille cast lists are also available upon request. Overall, Her Majesty's is very accessible and has some of the most disability aware staff I know of in any London theatre!

There are performances Monday-Saturday at 7.30pm and also matinees on Thursday and Saturday at 2.30pm.

To book Access Tickets for Phantom (currently from £22.50 each for you and a companion/carer in the stalls!) please call: 0844 412 4648. For all other tickets, please call: 0844 412 4653.



Today's interview is with Simon Shorten who is Swing and covers the role of The Phantom at Her Majesty's. I'd like to once again say a huge Thank You to Simon for his time and support.

When you first went on for The Phantom, how did it feel to step onto the stage as that iconic character?

Absolutely incredible, there's no other feeling like it, terrifying but exhilarating at the same time


How do you get on with the make up process for The Phantom?

I actually really enjoy it, we normally start at 6:55pm, it takes around 40-45 mins but for me it's a great time to relax and chat with the make up and wig staff and listen to some music whilst seeing myself become this unbelievably grotesque Character.

It's very surreal to go through, but once I know the make up is on, I hardly notice it's there.


Do you have a favourite song or scene to perform as The Phantom?

Final lair without a doubt, I love it. It's just so brutal for everyone, all three of us get thrown around, there's so much passion and tension, it's an amazing scene to be a part of.


What do you think is the key to Phantom's success?

I think it's really simple. It's just one of those stories that many people can relate to, at some point, we've experienced the themes that run throughout the show, and those feelings don't go away easily. Phantom almost forces you to remember, it did for me anyway.


Her Majesty's is fantastic for disabled access, what is it like as a theatre to perform in?

It's incredible, a beautiful building with a lovely atmosphere out front and backstage, there is so much space it's easy to slip away for some quiet time should you need it.

How did it feel to be part of the Phantom 25 celebrations?

Humbling. Being quite new to the show, it was an incredible experience to meet all the great people who have been involved in the show over the years and to see the amount of support it received from the audiences. I'll never forget it.


What is your most memorable moment from Phantom 25?

Being the phantom double in the journey to the 1st lair, great to have a moment to briefly play the Phantom for such an iconic moment, (and a lovely bit of screen time on the DVD too lol) ;)


The designs for Phantom are breathtaking, do you have a favourite?

Costume - you simply cannot beat the suit. I've never had a suit tailored for me, and if you were ever going to have one, you'd want it to be the Phantom's. It feels incredible to wear, I absolutely love it.

Set - I love the simplicity of the auction, not to give too much away for those who haven't seen it, but how that seen progresses to Hannibal always makes me go wow that is cooooool lol !!


If you could play any role in musical theatre, what would it be and why?

I love to play the darker characters, Sweeney Todd would be my ultimate want, it's one of my favourite shows, that would be very special for me (fingers crossed eh)


Do you have a message for the Phantom audiences and fans?

I've met some wonderful people during my time here, I can't thank you enough for all the love and support you give me, you guys are awesome, Thank you so much!!

Also, keep your eyes peeled for updates on my website, www.simon-shorten.com as I have some great projects lined up throughout the year!!!

Lots of love

Simon. Xxx

You can also keep up to date with Simon's news by following him on Twitter @SiShorten

Phantom of the Opera - Cast Change & Interview with Katy Treharne

Welcome back to Access London and Thank You once again for continuing to support disabled Access to the arts in London.

Today's post is an update on the Access information for Her Majesty's Theatre and also features an interview with Katy Treharne who has returned to the Phantom cast as alternate Christine.

Her Majesty's Theatre has level access for wheelchairs, scooters and those who cannot manage stairs on Charles II street. Simply make yourself known to someone at the front of the theatre (usually someone is around from 30 minutes before a performance) and they will escort you around to the side entrance. This entrance leads into the rear of the stalls.


The stalls have a storage area for wheelchairs and scooters and accessible WC. There are spaces for 4 wheelchairs in row S in the stalls. If you can transfer, any aisle seat in the stalls can be booked (subject to availability). An usher is assigned to help and assist those in the wheelchair spaces and transfer seats.

There is an infra-red hearing loop system with 10 headsets available to use - these can be collected from the cloakroom or ask a member of staff (a receipt needs to be signed). Two assistance dogs per performance are permitted at Her Majesty's. Large print programmes and braille cast lists are also available upon request. Overall, Her Majesty's is very accessible and has some of the most disability aware staff I know of in any London theatre!

There are performances Monday-Saturday at 7.30pm and also matinees on Thursday and Saturday at 2.30pm.

To book Access Tickets for Phantom (currently from £22.50 each for you and a companion/carer in the stalls!) please call: 0844 412 4648. For all other tickets, please call: 0844 412 4653.


Today's cast interview is with Katy Treharne who has returned to the cast of Phantom this week as alternate Christine. Once again, a huge Thank You to Katy for her continued support for Access London.


How do you feel about returning to Her Majesty's and Phantom of the Opera?

I am very excited to be taking up the Alternate role of Christine. I now have set dates performing every week and I get my name on the dressing room!


When you left the cast in September 2011, did you realise you would be returning so soon?

I hoped that one day I would return to Her Majesty's and felt my time there wasn't up. I didn't expect it to be four months later though, but it's a blessing, the time was right and I am very happy to be back.


When you were last in the show you covered the role of Christine, you are now returning as alternate. Are you looking to change anything in the way you play her?

I have been working with a new director since being back. His name is Sam Hiller and he is an actor himself and has made me think of things differently, I have changed a few of the choices I make in the show, dramatically and vocally to help tell Christine's story a lot clearer.


Since your last run, both the actors playing The Phantom and Raoul have changed. What are you most looking forward to about working with Earl Carpenter and Killian Donnelly?

I absolutely love working with both of them. I adapt well to change and find it exciting working with new people as they bring different things to the roles and help me find new things and keep it all fresh.


As Christine you have two iconic songs in 'Think Of Me' and 'Wishing'. Is there one that you prefer to sing and if so, why?

They are both so different in Christine's journey. It's hard to pick a favourite as Think of Me is right at the beginning so nerves are more present but I love singing it and wearing a beautiful costume and I also love singing the cadenza and the high notes! Wishing is very emotional and I have a huge attachment to this song as I relate it to my own personal experiences and it has a special place.


Her Majesty's is a theatre that provides pretty good access to those with disabilities but, what is it like as a theatre to perform in?

It's a wonderful theatre to perform in. With Phantom having been there 25 years, not much has changed and so you really feel you are walking in the footsteps of past actors and singers who have played these iconic roles and that these characters were born here.


What is your fondest memory from the last time you were part of Phantom?

My fondest memory was when I took my last bow when I played Christine the last time. When John Owen Jones took his bow he signalled to the audience to applaud me and that brought a tear to my eye. I was very humbled.


You can see Katy perform as Christine every Monday and Friday at Her Majesty's Theatre.
You can also follow Katy on Twitter @KatyTree
COMING SOON: Les Miserables and Matilda

Access London - 1 Today!!

Welcome back to Access London and a huge Thank You once again for your continued support for disabled access to the arts in London.

Today's post is somewhat different as Access London is celebrating its first birthday today!! I can't quite believe it has been a year since I launched this blog and posted the first welcome post - it's been a fantastic year, a lot learnt, hopefully some things achieved and help provided to those needing to know more about access to the theatre and arts in London.

This last year has seen many theatres, galleries, museums and venues reviewed on their access and I'd like to send out a huge thank you to all the staff at all the venues for their help and support over the last year, providing information, interviews and images.

My next Thank You goes to every reader of Access London for your loyal support and for helping to spread the word about it - it is so much appreciated. I do read every single one of your messages, comments, emails and tweets sent and I hope have managed to reply to them all (if I haven't yet, I will very soon, I promise). As I have mentioned on previous posts, if you have any questions about access to any venues, please don't hesitate to get in touch, if the venue hasn't yet been reviewed, it doesn't mean that I don't know details of the access there or the best person for you to contact, but more likely that I haven't yet gotten around to reviewing if officially. If however, you have any questions for people that have been interviewed on Access London (and many of you have sent me questions) it really would be best for you to send them to the person involved, so you can get the most accurate answers and information. I'd also like to thank everyone who has supported Access London and its posts on both Twitter and Facebook - I couldn't have done it without you!

This year Access London noted some important access issues at the Royal Albert Hall -after fairly extensive discussions with management at the Hall, specific changes and improvements were promised - some immediate and some on a more medium-long term plan. I am going back to see a concert there just before Christmas and will hopefully be able to come back to you with good news on some changes that have been made since the Phantom 25 celebrations in October this year. Another venue that presented access issues was the Palladium - not so much in terms of physical access but of disability awareness, staff training and treatment of those with disabilities. Again, various discussions have been had and letters corresponded (of which I received an extremely helpful and supportive one from Andrew Lloyd Webber's office) and once again, I hope to bring news of improvements made at that theatre very soon.

Some of the venues that have proven to be well geared up to help those with disabilities include: The Palace, Her Majesty's, Criterion, Gielgud, Southwark Playhouse, Royal Festival Hall, National Theatre, Victoria Palace, Haymarket, The Barbican and the Adelphi. There is still much to be done to improve the access for all to our theatres and arts venues in London but these theatres are some that have made an excellent start to being accessible and are showing a good example to others that really do need to look at their access: both the policies they put in place and the physical access to the theatre too.

Access London was recently lucky enough to work with Degrafik, a great young designer who has designed Access London's new logo - a huge Thank You to Damion for all your help. Access London feels it is a fitting time as any to reveal the new logo to you (although my Facebook friends have had a sneak peak at it a couple of weeks ago!)




Access London has been fortunate enough to be able to interview lots of cast members from some truly fabulous shows over the past year and I'd like to take this opportunity to say a huge Thank You for the time and support of: Rosemary Ashe, Gina Beck, Kieran Brown, Lee Bowen, Patrick Burbridge, Rebecca Caine, AJ Callaghan, Earl Carpenter, Steven Cleverley, Scott Davies, Stephen John Davis, Janet Devenish, Killian Donnelly, Cynthia Erivo, Sofia Escobar, Sophie Evans, Daniel Gourlay, Celia Graham, Richard Halton, Cameron Jack, Chris Jenkins, John Owen Jones, Paul Keating, Daniel Koek, Joanna Loxton, Myrra Malmberg, Frances Ruffelle, Simon Shorten, Emily Tierney, Katy Treharne, Tabitha Webb, Nick Wyschna, Michael Xavier.

Finally, a special Thank You to some for their continued support and fabulous generosity: Lee Bowen, Sofia Escobar, John Owen Jones, Rebecca Caine, AJ Callaghan, Myrra Malmberg, Nick Wyschna, everyone at The Cavendish Hotel, Her Majesty's Theatre, Palace Theatre, Adelphi Theatre, V&A Museum, and some special Twitter mentions for @LugiLou @inlondonguide @AboutLondonNews @kaydub89.

Access London has at least 2 awareness and fundraising events planned so far for 2012 including, an online charity auction for the beginning of the new year (to include lots of great theatre related items including signed cds and posters) and a charity concert for next September to coincide around the time of the paralympics. Details of the auction will be around from very early on in the new year and the concert throughout 2012, thank you for any and all support you can show for either event.

On that note (and after receiving many requests that I include it in this birthday post), I'll leave you with a video that has been taking Twitter and Youtube by storm over the last week - no, not the trailer for the Phantom25 dvd but, the latest challenge in the johnvskillian battle from the fabulous John Owen Jones and Killian Donnelly - watch for a great laugh and see The Phantom and Raoul as you've never seen them before - check out the rest of the challenges on their Youtube channel....

Phantom of the Opera & Interview with former Phantom, Stephen John Davis

Welcome back to Access London and Thank You once again for your continued support for disability access and awareness to the arts in London.

Tomorrow sees the release of the Phantom 25 dvd and to celebrate Access London has another post in our Phantom series.

This week also saw the release of tickets for venues 2 and 3 of Phantom's 2012 UK tour. Both of these will see John Owen Jones behind the mask as The Phantom and Katie Hall will star alongside as Christine. Phantom will arrive at the Manchester Palace Theatre 5 April 2012 - 19 May 2012. The theatre has wheelchair bays in the Cicrle and lift access to the Circle and Grand Tier. There is also an infra red loop system installed. Access Performances include: BSL - Thurs 26 April 2012, 7.30pm, Audio Described - Wed 2 May 2012, 7.30pm and Captioned - Sat 12 May 2012, 2.30pm. To book access tickets for the Palace, please call: 0161 245 6605. For more information, see the
Manchester Palace Website

Phantom will then be at the Bristol Hippodrome 23 May 2012 - 30 June 2012. For more information on Access performances and facilities, please call the Access booking line on: 0117 302 3222.


Back in London, Phantom's home is at Her Majesty's Theatre on the Haymarket. The stalls are easily accessible to wheelchair and scooter users via a side exit door on Charles II Street - simply inform someone at the front of the theatre and they will open it for you. This leads into the rear of the stalls and has an accessible WC. There is space for 4 wheelchairs and companions in Row S or, if you can transfer from your wheelchair or scooter, any aisle seat is accessible.

There is an infra red hearing system installed at the theatre and 10 headsets are available to use - ask in the foyer or an usher. A maximum of 2 assistance dogs are allowed in at any performance. Both large print programmes and braille cast lists are available on request.

To book Access tickets for Phantom of the Opera (currently available from £22.50 each for you and a carer/companion in the stalls), please call: 0844 412 4648. For all other tickets, please call: 0844 412 4653.

Please note: The Access rate is available to those with a disability, not just those who use a wheelchair or scooter - I'm simply pointing this out as I was at Her Majesty's last week and met a lady who was registered blind yet had no idea she was entitled to this - this rate and service are there for a reason and to help, so please do ring and check to see if you are entitled to them!


As with all of Access London's Phantom posts, I'm delighted to bring you an interview with another former cast member, this week - Stephen John Davis. I'd like to take this opportunity to once again say a huge Thank You to Stephen for his time and support.

AL: How did you become involved with the show?

SJD: I was called in to audition for the show’s associate and resident directors and musical director. I sang Lonely House from Kurt Weill’s “Street Scene”. They then asked me to prepare some of the Phantom’s music and recalled me twice. I was then offered the role of Joseph Buquet and “in house” cover Phantom. Luckily, I was able to perform as the Phantom on many occasions.


AL: Phantom is such an iconic show and so well loved, what did it feel like to be part of this worldwide phenomenon?

SJD: It always feels special when you appear in a show that has such an amazing history and is known by millions around the world. On the days when you’re feeling a bit tired, the buzz from the audience reminds you just how much the show means to those paying to see it.


AL: Who played alongside you in the role of Christine?

SJD: I rehearsed with the lovely Katy Treharne and I was thrilled when we did a couple of shows together. I was also incredibly lucky to work with Gina Beck, Sofia Escobar and Tabitha Webb.


AL: You played The Phantom for the 10,000th performance at Her Majesty's in 2010. What was it like to be onstage with Andrew Lloyd Webber and Michael Crawford to celebrate it?

SJD: It was pretty special to be honest. To be on the original stage at Her Majesty’s where the whole phenomenon began as the Phantom alongside the composer and the original Phantom was a day I will never forget. I will also never apologise for going on about it!!!


AL: What was your favourite scene/song to perform in the show?

SJD: I enjoyed all of it! Sorry that may sound a cop out but it’s true; The Phantom never makes a ”normal” entrance. The powerful first entrance behind the mirror going into the first journey and the boat, I loved the Angel scene at the end of Act 1 (although it was a little uncomfortable!). The Masquerade entrance and exit! The reveal from the cross after “Wishing”, the invasion of Don Juan disguised in the cowl that Piangi should be wearing.
Every scene had something in it that I could really enjoy playing. “Music of the Night” is obviously THE song but there isn’t anything that I didn’t love singing.


AL: What was it like to be a part of the Phantom 25 celebrations?

SJD: Another amazing experience. Don Attilio was such fun to play and the atmosphere was electric. A few of us agreed that we just had to stand at the bows and finale and try to take the whole spectacle in. The RAH is a pretty special place (even if I did rename it the South Ken Village Hall)


AL: In your opinion, why do audiences love the show so much and return to see it time and again?

SJD: The spectacle – Maria Björnson’s designs have never been bettered. The music is probably ALW’s best and the tale of a child being rejected by his own mother, growing up with the world recoiling from him when he has such passion for music and beauty inside is quite heartbreaking. People love a good cry!


AL: Have you watched a performance of Phantom elsewhere in the world? If yes, is it much different to the London production?

SJD: No. I’d love to see it on Broadway. I watched part of the film once.


AL: If you could play any role(s) in musical theatre, what would it/they be?

SJD: I’d like a go at Che in Evita and Albin in La Cage aux folles might be fun!


AL: Do you have a message for Phantom 25 and its fans?

SJD: Thank you! There wouldn’t be a 25th birthday if it weren’t for the “PHANS”. I really hope you enjoyed the RAH performance this year and 10,000th performance last year if you saw them. Here’s to the next 25 years!


You can follow Stephen on Twitter @stephenjdavis1

Stephen is currently appearing in the UK Tour of South Pacific. I saw this production when it was at the Barbican in London and would thoroughly recommend it. To see tour dates and venues, check out THE SOUTH PACIFIC WEBSITE

Phantom of the Opera & Interview with Joanna Loxton - Madame Firmin & Cover Madame Giry

Welcome back to Access London and Thank You once again for supporting disability access and awareness to the arts.

Today's post continues on with Access London's popular series on the Phantom of the Opera. Since our last Phantom post, tickets have gone on sale for the first venue in Phantom's 2012 UK tour - Plymouth. The tour opens in February and runs from 27 February until the 31 March 2012.

Access performances in Plymouth include - Audio Described: Sat 17 March 2.30pm and Thu 22 March 2.30pm. Captioned: Thu 15 March 2.30pm and Fri 30 March 7.30pm
Signed: Sat 24 March 2.30 pm and Thu 29 March 7.30pm
For all details on how to book and for indepth access information for the theatre, please SEE THEIR WEBSITE


Back in London, Phantom's home is at Her Majesty's Theatre on the Haymarket. As of this week, the mid-week matinee will be on Thursdays at 2.30pm, all other performance times are unchanged (Monday-Saturday Evenings at 7.30pm and Saturday matinee at 2.30pm).

Her Majesty's Theatre has level access for wheelchairs, scooters and those who cannot manage stairs on Charles II street. Simply make yourself known to someone at the front of the theatre (usually someone is around from 40 minutes before a performance) and they will escort you around to the side entrance. This entrance leads into the rear of the stalls.

The stalls have a gentle rake, storage area for wheelchairs and scooters and accessible WC. There are spaces for 4 wheelchairs in row S in the stalls. If you can transfer, any aisle seat in the stalls can be booked (subject to availability). An usher is assigned to help and assist those in the wheelchair spaces and transfer seats.

There is an infra-red hearing loop system with 10 headsets available to use - these can be collected from the cloakroom or ask a member of staff (a receipt needs to be signed). 2 assistance dogs per performance are permitted at Her Majesty's. Large print programmes and braille cast lists are also available upon request. Overall, Her Majesty's is very accessible and has some of the most disability aware staff I know of in any London theatre!

To book Access Tickets for Phantom (currently from £22.50 each for you and a companion/carer in the stalls!) please call: 0844 412 4648. For all other tickets, please call: 0844 412 4653.


Today's cast interview is with Joanna Loxton who is currently playing Madame Firmin in Phantom and who also covers Madame Giry. Access London would like to say a Huge Thank You to Joanna for taking the time out to answer some questions.


AL: How does it feel to be part of the cast of Phantom during its 25th year?
JL: It feels wonderful! I have returned to the show having been in the cast several years ago. I loved it back then and am even more delighted to have come back at this time to celebrate its 25th year.


AL: Why do you believe that the show is so successful and has audiences returning again and again?
JL: Because of all the elements happening to fit together so perfectly. Its beautiful music combined with a heart breaking love triangle storyline, its dark mystery and its stunning design by the late Maria Bjornson. It just appeals to so many people around the world...you can't help but fall in love with it.


AL: How did it feel to perform at the 25th anniversary performances with such a large company?
JL: It was such a gift. Not only was it an honour to be part of it, it was also like a huge reunion of people I have worked with over the years. The Phantom company is like no other company. It's one big family who love each other, so the concert was just one big extended happy family reunion.


AL: What was your most memorable moment from the 25th anniversary performances?
JL: I think it must have been coming out into the auditorium during tech and looking around at the set and experiencing a piece of what the audience would be getting. I knew that that feeling would stay strong in my memory for a very long time.


AL: You've recently performed your first few shows as Madame Giry in the 2011/2012 cast, what was that experience like?
JL: Amazing. I have always loved the character because she is the dark horse and holds alot of information about the Phantom's history and background. I went on earlier than expected and just had such a huge buzz. As I said before, there is alot of love in the company and I was hugely supported.


AL: What do you like most and what do you like least about Madame Giry's character?
JL: Madame Giry is the quiet mysterious one...I love that about her because it's all very internal and tense and it's fun to portary that on a stage. She also has to bang her stick alot...my challenge is to do it as loudly as I can! Only thing I'm not so keen on is climbing up to the bridge in a long skirt very quickly...but that's pretty minor.


AL: Madame Giry's costume is probably one of the most subdued in the entire show, compared to some of the brightly coloured pieces that other characters wear. Do you have a favourite costume to wear?
JL: I do love Giry's costume despite its lack of colour because as soon as you're in it you feel in character...but also I'm very lucky to have some amazing costumes in my ensemble plot. My favourite is my purple Madam Firmin costume...it's stunning, and very expensive!


AL: Do you have a favourite song/scene to perform and why?
JL: I LOVE the managers scenes as Madame Giry. I think they are so well written and so full of minor detail. You can follow one character during the number and get so much information about them.


AL: If you could play any role in any musical, what would it be and why?
JL: I have always loved the character Audrey in Little Shop of Horrors and would love to play her. I enjoy comedy and haven't had much opportunity to use it in my career so far.


AL: Do you have a birthday message for Phantom and its fans?
JL: I would like to say that Phantom appreciates it's fans so much. You're the reason we are still here at 25 and we want you to know we hold as much love for it onstage as you guys do from out front!


Thank you once again Jo!

Joanna is currently scheduled to play Madame Giry on the following dates: 3-5 November and 1-3 December. If you can get to see her at all on those dates, please do!

You can also follow Joanna on Twitter @joloxton




COMING SOON: The Globe, The V&A, The Lyric, Phantom & Interview with Stephen John Davis

Dreamboats and Petticoats @ The Playhouse & Cast Interview with Patrick Burbridge

Welcome back to Access London and Thank You once again for continuing to support disability access and awareness to the arts in London.

"Inspired by the smash hit million selling albums DREAMBOATS AND PETTICOATS ONE, TWO and THREE, the West End's DREAMBOATS AND PETTICOATS THE MUSICAL, features some of the greatest hit songs of the Rock 'n' Roll era."

Playing at The Playhouse on Northumberland Avenue, Dreamboats and Petticoats features some of the biggest rock 'n' roll hits from the 50's.

Access @ The Playhouse:

The Foyer of The Playhouse is on two levels - there are three steps up to the bar area and entrance to the stalls. The theatre has a ramp that can be placed over these steps to allow access for both wheelchairs and scooters (although be warned, it is a little steep!). Once on the upper level, there is access to the Foyer Bar and an accessible WC. From here there is level access into the rear of the stalls, which has a gentle rake and a storage area for wheelchairs and scooters if you can transfer out.

If you require a wheelchair space, there are 2 in the stalls, in rows G and J, where a companion/carer can sit with you. If you can transfer, then there is allocation for 6 wheelchair or scooter transfers per performance to sit in any aisle seat in the stalls (subject to availability of course).

The Playhouse is installed with a Sennheiser infra-red sound amplification system that is available in all areas of the auditorium - to access the system, you will need to request receiving equipment from the box office in the foyer (small refundable deposit required) - both Induction Loop Necklaces and Headsets are available.

Assistance dogs are permitted into the auditorium at aisle seats, otherwise they can be looked after by staff during the performance. Currently, there are no audio described or captioned performances at The Playhouse.

There are performances of Dreamboats and Petticoats Monday-Friday Evenings at 7.30pm and Saturday Evenings at 8.00pm. There are also matinee performances on Thursdays at 3.00pm and on Saturdays at 4.00pm.

To book concession Access tickets to Dreamboats and Petticoats, please call: The Ambassador's dedicated Access Line on 0844 871 7677. For all other ticket types, please call: 0844 871 7627.


Access London recently had the pleasure of interviewing cast member Patrick Burbridge. We'd like to take this opportunity to once again say a huge Thank You to Patrick for taking the time to answer some questions...


AL: Dreamboats and Petticoats is a lively, fun and upbeat show, what is it like to be part of the cast?
PB: It's an absolute pleasure to be a part of such a great show. I've been in Dreamboats and Petticoats since it started way back in January 2009 and I've never stopped loving it. I've seen lots of different people come and go during my time as part of the cast and I've had the pleasure of working with some very talented performers. It's a real privilege to be in such a well received show.


AL: You play a character called Derek - can you tell us a bit more about him and his part in the story?
PB: Derek is a young teenager from St Mungo's Youth Club in Essex (scene of Dreamboats and Petticoats). He's either hanging out with the band, chatting up the girls, playing pranks and usually getting up to some form of mischief!


AL: You can play many instruments including, guitar, piano, sax and drums - what is your favourite instrument to play and why?
PB: My favourite instrument is the guitar. I've grown up listening to all sorts of rock music and from a young age I've always been obsessed with the guitar. I get a real thrill from playing guitar in bands and jamming great music. I also like to write my own music and I find the guitar is a great instrument to compose on.


AL: Do you get to use any of your instrument playing skills in the show?
PB: Absolutely. I'm an understudy for all three guitarists and the drummer so if they can't do a show for any reason, then it's my job to fill in for them. I've understudied in lots of shows during my time in Dreamboats and Petticoats. My usual role playing Derek also involves playing Keyboard.


AL: The Playhouse Theatre is a smaller venue than many West End theatres, does this allow you to feel more connected to the audience when performing?
PB: I think so, yes. Dreamboats and Petticoats is a rock and roll show, so I think it works best in smaller venues. This is because smaller venues are great for live music, you can create such a great atmosphere with rock and roll. It's much harder to create that atmosphere in bigger theatres because there is, quite simply, way more space to fill - you have to connect with audience members right at the back who seem almost miles away! There's also a limit to how loud you can turn up the music. You don't want to be deafening the front row by trying to make sure the back row have it at a decent level. Everyone watching should feel comfortable and be able to enjoy the performance.


AL: What is your favourite song/scene to perform in the show?
PB: My favourite part of the show is the finale. At this point, the show stops being a musical and turns into a rock and roll concert with 3 fantastic 50's hits. Usually, all the audience are up and dancing and the atmosphere can be really electric. I get such a buzz when I look out at the audience singing and dancing along. There's a real unification between the cast and the audience at the end of each show, both rejoicing in the love of such wonderful music. I've never experienced anything quite like it and I'm so fortunate to be a part of that night after night.


AL: How do you prepare yourself before performing?
PB: Before a show the cast meets on stage and does a physical and vocal warm up together. The physical warm up, led by our dance captain, consists of doing lots of stretches to prevent injuries when dancing and perhaps running a couple of routines to keep everything in check. The vocal warm up, led by our musical director, consists of singing lots of scales, exercises and sometimes a couple of numbers from the show. This warms up the voice and makes sure that you don't strain it during the show. There are over 40 songs to sing after all! Emotionally, I like to get really psyched up before a show. I share a dressing room with 5 other guys and we all enjoy a good bit of banter and listening to some quite upbeat music. It's a good, positive and fun atmosphere that gets me geared up well to do the show, particularly if I'm a little tired or feeling a bit under the weather.


AL: Can you sum up why audiences will love the show?
PB: People don't refer to the 50's as the 'golden age of pop' for nothing. There was a real plethora of fantastic songs written back then and performed by some incredible artists and singers. Not only does Dreamboats and Petticoats bring all this music back to life, it sets it all within the magical nostalgia of the 50's. The storyline of children growing up in a youth club in Essex will bring back great memories for many people. The innocence of youth, coupled with the charm and love from a bygone era proves to be a wonderful platform for some of the greatest music ever written. Even if you didn't live through the 50's, I think the joy in the music is so infectious that you can't fail to have a good time.


AL: If you could play any role in musical theatre, what would it be?
PB: If ever a musical is made of Back To The Future, I'd do anything to be in it! It's my favourite film of all time.

You can follow Patrick on Twitter @patburbridge


COMING SOON: The Globe, Victoria & Albert Museum, The Lion In Winter, More from Phantom 25 and Interviews

Phantom of the Opera & Interview with Christine Daae, Sofia Escobar

Welcome back to Access London and Thank You once again for continuing to support disability access and awareness to the arts in London.

Access London has been posting about Phantom of the Opera's 25th Anniversary on and off for the last 6 weeks. Today saw the final Tuesday matinee ever at Her Majesty's theatre. As of next week, the mid-week matinee will be on Thursdays at 2.30pm. There are no other changes planned for the evening performances or Saturday matinee.

It's certainly been a big few months for Phantom with a major cast change and anniversary rehearsals in September, three anniversary celebratory performances at the the Royal Albert Hall in October, changes to the schedule of its mid-week matinee and announcements about its brand new 2012 tour that will see John Owen Jones leaving Her Majesty's to don the mask from February-Setember, after which Earl Carpenter will reprise his role as the Phantom. The cast also includes current London alternate Christine, Katie Hall, playing Christine.

Our next post on Phantom will include some Access information for the first stop on the Phantom's tour, Plymouth, tickets for this venue go on sale from 27 October.

Back to London and Her Majesty's Theatre, Access as always, is pretty strong and FOH staff are some of the most helpful and disability aware I know of in any London theatre. There is level street access for those using a wheelchair, scooter or cannot manage stairs, through a side Exit door on Charles II Street - simply inform someone at the front of the theatre and they will open these doors for you. This entrance leads into the rear of the stalls.

Access Facilities at Her Majesty's include: 4 wheelchair spaces in row S in the stalls, storage for wheelchairs and scooters, transfer to aisle seats, accessible WC, gentle rake in the stalls, very helpful ushers, 2 assistance dogs per performance allowed, hearing loop with 10 headsets available, seats with extra leg room ( E1, E25, F1, F25, G1, G25, N1 and N28 in the Stalls).

For Blue Badge Holders, there are spaces located in both Charles II Street and St James' Square. Both of these locations have 3-4 hour time restrictions on them up until 6pm, after which they are unlimited in time allowance until the early morning.

To book Access tickets for Phantom of the Opera, please call: 0844 412 4648. For all other ticket types, please call: 0844 412 4653.


Access London is delighted to share with you another interview to celebrate Phantom's 25 years. Today's is with our fabulous London Christine, Sofia Escobar. We'd like to take this opportunity to say a huge Thank You once again to Sofia for taking the time to answer some questions and for all her continued support.


AL: You've just extended your contract at Phantom for another year, until September 2012, are you excited about staying on during its 25th year?
SE: Very excited indeed! I wanted to stay for what I'm sure is going to be a very exciting time for Phantom of the Opera and all the Phans out there. It's a great honour to be part of such a magnificent production!


AL: Phantom is loved by audiences worldwide - why do you think it is so well-loved and has people coming back to see it time and again?
SE: It's a timeless piece of Musical Theater, it's got all the magic ingredients that have made it such a success all over the world, the story, the music, the love! It's pure magic. I'm sure it will be here to stay!


AL: The show has some truly spectacular sets and costumes - do you have any favourites?
SE: Christine's costumes are truly gorgeous but my personal favorite is the Blue Managers dress and cloak, I'd love to take it home with me after the contract! :)


AL: Phantom is getting a new UK tour for 2012 - are you aware of any changes to the show happening in London?
SE: Not that I know of, I dont think there will be any changes to the London production.


AL: The show has many special effects and technical elements throughout. Do you have a tale to tell of something going wrong/mishap during a performance?
SE: The other night in the final lair scene the boat didn't move so Phantom had to drag me out of the boat and did the scene walking in what should have been the lake... It was quite funny!


AL: What is the atmosphere like backstage during a performance?
SE: It's intense! Everyone knows what they're doing but there's always an awful lot going on backstage during a performance, it's quite a show! Lots of people running around with costumes, props! Actors in quick changes! A lot of fun! But I'm sure that for an outsider the whole thing would seem madness!


AL: Christine has rather a roller-coaster ride of emotions throughout the show. By the time the final lair scene arrives, what do you believe she is thinking and feeling?
SE: I believe she is extremely confused, hurt, sad and generally feeling lost. She doesn't know what to believe or who to turn to, I think she also feels alone but finds the strength within her to pull through and make her decisions. It really is a roller-coaster of emotions.


AL: You have played alongside several Phantoms during your time at Her Majesty's. Do they all play the role differently? And do you have to change the way you play Christine to suit their Phantom?
SE: Every actor brings their own way of playing the part to the show and that makes it very exciting when someone new comes in. I dont necessarily 'have' to change the way I play Christine but it happens naturally because I will be reacting to whatever the actor playing the Phantom gives me. It's more of an 'organic' change rather than a premeditated one.


AL: There have been productions of Phantom all over the world. If you could play Christine anywhere, where would it be and why?
SE: To be honest I wouldn't change where I am now. I always wanted to be in the London production, this is where it all started 25 years ago. Gives me shivers to think of it.


AL: Do you have a Birthday Message for Phantom and its fans?
SE: A huge thank you to all of you who love and support the show and have been doing so all through these years. Phantom turning 25 wouldn't have happened if it wasn't for all of you out there and all the wonderful audiences who keep coming to the show all over the world. Lots of love to all!


Thank You once again Sofia for that. You can see Sofia perform as Christine Daae at Her Majesty's until September 2012. Sofia performs 6 shows a week (currently Katie Hall performs the other 2) - as of 31st October, Sofia will not be performing on Mondays or Fridays. She is also on holiday from 27th October until 6th November.

To keep up with all of Sofia's news SEE HER WEBSITE
You can also follow her on Twitter @sofia_escobar
Sofia also has a page on Facebook






COMING NEXT: Dreamboats & Petticoats plus Cast Interview
COMING SOON: The Globe, London Coliseum, The Lion In Winter, More from Phantom 25 and cast Interviews

Phantom of the Opera's 25th Anniversary & Interview with Original Meg Giry, Janet Devenish

Welcome back to Access London and thank you for continuing to support disability access and awareness to the arts in London.

Continuing with Access London's celebrations for Phantom of the Opera's 25th Anniversary and the brilliant Access at Her Majesty's theatre, today saw the release of the 2012 tour information. The 2012 tour will star John Owen Jones (the current London Phantom) in the lead role from the tour's start in February (Plymouth) until half way through the Edinburgh run in September. After this, former Phantom and co Three Phantoms star, Earl Carpenter, will take over the role on tour. Christine is to be played by the current London alternate, Katie Hall. Access London would like to take this opportunity to wish John Owen Jones, Earl Carpenter and Katie Hall all the very best for the tour next year!

For all the information on dates and booking info, please see the OFFICIAL SITE HERE

Although Access London predominately focuses on events and venues in London, we will be providing readers with as much Access information as we can on the venues hosting the 2012 tour as we realise that not everyone can make the journey to London to enjoy the show at Her Majesty's.

John Owen Jones was originally scheduled to play the Phantom in London until 17 March 2012. Due to the exciting news that he will be playing the role in the tour, his final performance at Her Majesty's Theatre will be on 10 December 2011. Between then and March 2012, Earl Carpenter will play the role of the Phantom in London until Peter Joback takes over, as originally planned, in March. Watch this space for more Access info on the tour venues.

John Owen Jones has also announced that his new album will be released around the same time that the tour commences.
You can also catch Earl Carpenter, John Owen Jones, Matthew Cammelle, Rebecca Caine (and at certain performances Rohan Tickell) in the Three Phantoms concerts. For concert dates and booking information, see the OFFICIAL THREE PHANTOMS WEBSITE

If you can't get to any of the tour dates next year, don't forget, you can always watch the original show in London at Her Majesty's theatre. Access information for this theatre is as follows....

If you are a wheelchair or scooter user, or cannot manage stairs, then there is a side entrance on Charles II Street that has level access to the rear of the stalls and also a storage area for chairs and scooters and an accessible WC. When you arrive at the theatre, simply ask someone at FOH (usually people outside from about 30-45 minutes before a performance starts) and they will escort you around to this entrance.

There are 4 wheelchair spaces (with companion seats) in Row S in the stalls. If you can transfer then any aisle seat in the stalls can be booked (subject to availability of course!). The stalls have a relatively gentle rake. People making an access booking are assigned an usher to assist them, although a companion must accompany each access booking made and both are entitled to the Access booking rate.

Charles II Street also has several blue badge bays along it - these are time restricted until 6.00pm but not afterwards. There are also several blue badge bays in St James' Square which is a few minutes walk away down Charles II Street.

Her Majesty's has an infra red system with 10 headsets available (a receipt needs to be signed at time of collection) - ask at the box office or any member of staff if you wish to use one. Assistance dogs can be looked after by staff during the performance - a maximum of 2 dogs per performance. Large print programmes and braille cast lists are also available upon request.

To book your access tickets for Phantom of the Opera, please call: 0844 412 4648.


Access London is delighted to be able to share with you another interview we did with a former cast member for the show. Today's interview is with Janet Devenish who was the original Meg Giry in the London production. We'd like to take this opportunity to once again say a huge thank you to Janet for takign the time to answer some questions.

Phantom was very different to any other productions that opened in the 80s. Did you have any idea at the time how well loved and huge it would become?
Not at all! Really - I could see it was a great show but I did not foresee how hugely popular it would become.


Were you required to be pretty skilled at ballet in order to audition for the role of Meg?
Yes - there was a lot of pointe work in the show and you cannot gain that skill overnight. I did a lot of work with Gillian Lynne during the audition process which confirmed my ballet skills and I loved it!


What was your favourite scene to perform in the production?
I loved dancing Masquerade, but I also loved working with the wonderful Mary Millar as my mother - so any time on stage with her was special time.


Have you seen the show since you left? If yes, has it changed much since you performed in it?
I have seen it few times, and each time it has been different. I think it has varied depending on the cast, but I was not aware of huge changes that had been made to the actual content of the show.


Would you ever have considered going back to Phantom after you left, perhaps as Mme Giry?
If only my vocals would allow.... I could not sing that role, but I could bang a mean stick!


I understand that you now teach and choreograph but, do you still perform aswell?
No - I train the talent of tomorrow!


Did you seen the Phantom sequel, Love Never Dies? If yes, what did you make of Meg's character in it?
I found it very hard to just watch the show and appreciate it for what it was, as I found myself thinking 'Meg wouldn't do that' or 'Mme Giry would not have expected that of Meg'. I saw it very early days into the run, perhaps I could be more detached now, having seen it once, but it was too personal at the time - all those years later I still felt the character in me.


Do you have a Birthday Message for Phantom of the Opera and its fans?
Keep the magic alive. Phantom was a truly memorable part of my life, and it has brought great pleasure to so many. Happy Birthday to the greatest show!


Janet is the Deputy Principal and teaches Dance and Musical Theatre at the Stella Mann College. She also teaches at the Rugby Youth Theatre - teaching and inspiring the performers of tomorrow.

COMING SOON: The Globe Theatre, The Lion In Winter, The Lyric Theatre, Phantom 2012 Tour Access Info, More from Phantom 25 including interviews with Sofia Escobar, Stephen John Davis and more...

Phantom of the Opera's 25th Anniversary & Interview with Phantom, Scott Davies

Welcome back to Access London and Thank You once again for supporting disability access and awareness in the Capital.

First off, I must say a massive Thank You to everyone for your feedback on the last post, the responses have been coming in thick and fast about your stories from the Royal Albert Hall - some of you have asked if it is just issues from Phantom25 access seating I am interested in, no, it isn't, any access problems you have had at the Hall, from booking tickets, communication breakdowns to the seating itself.

I did say in the last post that this one would be dedicated to some of the issues that people have been having and some of the feedback I have received from the Hall after having several long conversations with them, including one very long one at the Hall itself after the Phantom25 performance on 1st October. However, due to the amount of messages, comments, Tweets and emails I have received on this, I am delaying this post until next week so that I can edit down all the main points you have been raising, please do continue to send in your stories if you have one though.

Also promised in the previous post was more information about Access at Her Majesty's Theatre....
If you are a wheelchair or scooter user, or cannot manage stairs, then there is a side entrance on Charles II Street that has level access to the rear of the stalls and also a storage area for chairs and scooters and an accessible WC. When you arrive at the theatre, simply ask someone at FOH (usually people outside from about 30-45 minutes before a performance starts) and they will escort you around to this entrance.

There are 4 wheelchair spaces (with companion seats) in Row S in the stalls. If you can transfer then any aisle seat in the stalls can be booked (subject to availability of course!). The stalls have a relatively gentle rake with a handrail along the wall. People making an access booking are assigned an usher to assist them, although a companion must accompany each access booking made and both are entitled to the Access booking rate.

Charles II Street also has several blue badge bays along it - these are time restricted until 6.00pm but not afterwards. There are also several blue badge bays in St James' Square which is a few minutes walk away down Charles II Street.

Her Majesty's has an infra red system with 10 headsets available (a receipt needs to be signed at time of collection) - ask at the box office or any member of staff if you wish to use one. Assistance dogs can be looked after by staff during the performance - a maximum of 2 dogs per performance. Large print programmes and braille cast lists are also available upon request.

To book your access tickets for Phantom of the Opera, please call: 0844 412 4648.


Access London is delighted to share with you another cast interview in celebration of 25 years of the show. Today's interview is with Scott Davies - Scott performed as The Phantom at both Her Majesty's Theatre and on the UK tour, he is currently the Standby Phantom in London. Access London would like to say a huge Thank You to Scott for taking the time to answer some questions....


AL: How does it feel to be part of such an iconic and much-loved show as Phantom?
SD: It's amazing! I still have to pinch myself when I walk past front of house before the show and think, oh! that's me!!


AL: Why do you believe the show is so loved and has audiences returning time and again?
SD: The story is just so simple yet offers everything an audience could want. Obviously the score is beautiful too.


AL: The Phantom's character is quite volatile. How do you go about getting into role each night?
SD: The show has a really clever way of cranking up the tension so a lot of the preparation happens within the actual show. It's really exciting.


AL: I'm sure you've been asked this a lot but, what is the make up process like to go through?
SD: No problem. My Make-up artist is fab and manages to do the make up quickly and effortlessly. We get on well so it's a nice time to catch up with each other.


AL: Do you have a favourite song/scene to perform?
SD: My favourite is the final lair because it shows the real extremes of the Phantom's character.


AL: You have played The Phantom at both Her Majesty's and on the UK tour. How did these experiences differ for you?
SD: Both were great but London is better because it's nice being at home.


AL: Her Majesty's has been the long time home of Phantom since it opened and so is completely set up for it, with staging, sets and technical elements. Does this differ a great deal when the show is on tour?
SD: The sets and props are identical so no differences there. Sometimes playing a larger house though changed the intimacy of the show that is created at Her Majesty's.


AL: Having played opposite quite a few Christines, does your performance change depending on which actress is playing her?
SD: Some reactions are different but my intentions remain the same.


AL: With a show like Phantom that has so many technical elements and special effects in, do you have a tale to tell of a mishap during a performance?
SD: I went on for the final lair on tour and there was no port-cullis, no throne, no organ, no candles, nothing!! Half way through the scene I saw the throne and organ being pushed on by a broom handle!!!


AL: Lastly, do you have a Birthday Message for Phantom and its fans?
SD: Thanks for your ongoing loyalty and support. Here's to the next 25 years!!!


Once again, Thank You Scott for your time and for supporting disabled access to the arts in London. Scott is contracted as the standby Phantom until September 2012. You can also see Scott perform in the English National Opera's production of Tosca at the London Coliseum as Spoletta - performances on 26, 28, 30 November, 2 December and 17, 21, 24, 29 January, with a signed performance on 24 January. To book Access tickets (and to join the Access scheme at ENO) please call: 0871 472 0666. For all other ticket types, please call: 0871 911 0200.


If you have a story about any any Access issue at the Royal Albert Hall, you can contact me at claire@horizon-va.co.uk
Or, send me a Tweet @HorizonVA


COMING SOON: The Globe Theatre, The Lion In Winter, London Coliseum, Royal Albert Hall Access Issues, More from Phantom 25 - interviews with Sofia Escobar and more...

Phantom of the Opera's 25th Anniversary & Interview with former Christine, Rebecca Caine

Welcome back to Access London and Thank You once again for supporting disability access and awareness to the arts in the Capital.

Many of you will already know that throughout September, Access London ran celebration posts for Phantom of the Opera's 25th Anniversary, these posts will be continuing throughout October. Today is officially Phantom's 25th Birthday, so, from Access London, a big Happy Birthday to the show and all current and former cast, crew and creatives - here's to another fabulous 25 years!

The show enjoyed a weekend of celebrations last week at the Royal Albert Hall where one of the concerts was also streamed live to cinemas across the globe on Sunday. Encore showings of this are happening throughout the next couple of months abroad, so make sure you check out your local cinema for any forthcoming showings. Those in the UK will see the dvd and cd recordings released in November.

Unfortunately for those who require disabled access and additional requirements to venues, it seems that the Royal Albert Hall most certainly did not deliver on this front to many last weekend - myself included. I have received many messages about this via email and Twitter and will be dedicating a separate post to some of the issues that people faced at the Hall this coming week. If you have a story of your own about Access at the Hall, I would very much like to hear about it - see my contact details below.

I initiated enquiries this week as to the Access failings at the Hall and these and any changes discussed will be in the next post.

On a more positive note, if you didn't make it to see the live celebrations at RAH or missed the cinema screenings, then don't forget, you can always go and see the show at its London home - Her Majesty's Theatre on the Haymarket. This theatre, I am pleased to say, is most definitely accessible and has some of the most disability aware FOH staff I have experienced at any London theatre - so thank you to everyone there!

More detailed Access information will appear in future posts but for now...Her Majesty's has level access to the rear of the stalls through a side entrance on Charles II Street. There are 4 wheelchair spaces in row S in the stalls with companion seats. If you can transfer, then you can book for any aisle seat and your wheelchair or scooter will be stored for you until the end of the performance. There is an adapted WC next to the accessible entrance/exit and wheelchair space users/transfer seats are assigned an usher to assist and order interval drinks if wished. Please see next post for more detailed explanations on seating at Her Majesty's and facilities for other disabilities.

In keeping with all of Access London's other Phantom25 posts, I'm delighted to share with you another interview with a former cast member, Rebecca Caine. Access London would like to offer a huge Thank You to Rebecca for answering some questions for us. Rebecca joined the original London cast of Phantom and then went on to repeat her role as Christine in the Canadian premiere of the show alongside Colm Wilkinson.


AL: When you joined Phantom, did you realise how big and how loved the music and story would become?
RC: I went in 6 months after it opened to alternate with Claire Moore and for a month Sarah Brightman so I wasn't quite original cast although I did perform with them.
Yes, I did realise because I had just come out of another big show, Les Mis, in which I created Cosette.
No one thought at the time either shows would run as long as they have.


AL: Have you been back to see the show since you left?
RC: Just once, when I went to see my friend Gina Beck a year ago. She was fabulous, I screamed all the way through.


AL: What was your favourite scene/song to perform?
RC: I never had a favourite but The Overture is spectacular.


AL: You played alongside Michael Crawford as The Phantom initially but which other Phantoms did you play alongside and who were your Raoul's?
RC: I opened the Canadian production opposite Colm Wilkinson who I'd worked with in Les Mis. We also recorded it. I played opposite many Phantoms including Peter Karrie.
My Raoul's were Steve Barton, Michael Ball and Byron Nease


AL: What emotions do you think Christine is feeling when she sings the song 'Wishing you were somehow here again'?
RC: I can't remember really. Sad about her father. I certainly felt it when I sang it for the first time after my father had died.
Though during my long run it was generally at that time I started wondering about what was in the fridge when I got home....


AL: You are part of the cast of The Three Phantoms. What is it like going back to sing songs you sang when Phantom first opened?
RC: Difficult to remember any of them as the BOYS will attest! I do notice I can sing them no matter how tired I am and that my body does the moves still. Muscle memory...


AL: Lastly, do you have a Birthday Message for The Phantom of the Opera and its fans?
RC: I'd like to thank ALW for my bathroom refit, Kitchen remodelling and Facelift Fund. x
HAPPY BIRTHDAY!


Once again, a huge Thank You Rebecca, your support for access to the arts is much appreciated.

Rebecca's recordings include the original Canadian cast recording of Phantom, which is personally my favourite recording of the show (for those that have asked me recently). To hear her sing as Christine Daae, pick up you copy from Dress Circle shop or their online store. You can also hear her sing as Cosette (the role that she created) in the original London cast recording which can also be bought from Dress Circle.

Rebecca's beautiful album 'Leading Ladies' can also be purchased from Dress Circle and features her performing 17 stunning tracks including works by Gershwin, Coward and Novello.

"It was the beauty of the music that first attracted me to this repertory, but when I began looking into the women who made it famous, I became increasingly fascinated by their personalities, and the lives they led. They were among the most glamorous stars of their days, on a par with today’s movie and television celebrities.

I do not seek to impersonate them but to interpret them. Their vocal qualities are quite different, from Gertie Millar’s soubrette charm in Moonstruck to Jose Collins’s richer operatic quality in Love Will Find a Way, Gertie Lawrence’s matchless style and Jessie Matthews energy and vivacity. Mary Ellis was a "cross-over" in the truest sense of the word, having started her career at The Metropolitan Opera, singing with Caruso and Chaliapin before she became a serious actress. Evelyn Laye starred in Bitter Sweet on Broadway. Lizbeth Webb could sound like a lyric soprano one minute and a 1950’s pop singer the next. Julie Andrews needs no introduction, being the most internationally famous of all these leading ladies, having become, like Jessie Matthews before her, a great movie star and one of the last true soprano voices in musicals.

I would like to thank Gerald Martin Moore for being the guiding force behind this recording. Without his his knowledge, inspiration and encouragement, this album would have never happened.

I would also like to thank him for his vocal versatility which has given us Noel Coward, American juv lead, George Metaxa, George Guetary, Vaudeville Boy, Hooray Henry voice, four cockney costermongers and my particular favourite, Olive Gilbert.

Rebecca Caine"

Rebecca also performs with the Three Phantoms which is soon to start its new concert dates later this month. She is currently scheduled to perform: 21 and 22 Oct at Wales Millenium Centre, Cardiff, 4 and 5 November New Wolsey Theatre, Ipswich, 6 Nov Bournemouth Pavillion, 19 Nov Theatre Royal Plymouth and 10 and 11 Feb 2012 at the Chichester Festival Theatre - if you can get tickets for any of these, make sure you do for a great and entertaining night out with some top class performers!

To keep up with all of Rebecca's news and performance dates SEE HER WEBSITE
You can also follow her on Twitter @RebeccaCaine


If you would like to get in touch about any Access issues you have had at the Royal Albert Hall, you can do so via claire@horizon-va.co.uk
Or, contact me on Twitter @HorizonVA


To buy any of the above recordings featuring Rebecca Caine and to search the treasure trove that is Dress Circle, visit the website www.dresscircle.co.uk


COMING NEXT: Royal Albert Hall Access
COMING SOON: More Phantom 25 posts & Interviews, London Coliseum, Les Mis, The Globe