Private Lives & The Gielgud Theatre

Welcome back to Access London and thank you once again for supporting Access to the Arts for All. Noel Coward's 'Private Lives' returned to the West End this Summer, to the Gielgud Theatre on Shaftesbury Avenue. "Elyot (Toby Stephens) and Amanda (Anna Chancellor) are glamorous, rich, reckless...and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses, Victor (Anthony Calf) and Sibyl (Anna-Louise Plowman). This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. Following a sell-out run at Chichester Festival Theatre, this much-anticipated transfer is set to blaze across the West End stage this summer in an explosive production that proves Noël Coward still has the power to thrill, provoke and delight." Performances are Monday - Saturday at 7.30pm, with matinees on Wednesdays and Saturdays at 2.30pm. The running time is 2 hours 15 minutes. Private Lives is booking at the Gielgud until 21st September 2013.

Access Information: If you are a wheelchair or scooter user, just notify someone at the front of the theatre upon arrival and a side Exit door will be opened for you on Rupert Street (third door along). There is one step at this door but there is ramp that can be placed over it to allow for access. There is step-free access to the foyer bar where there is also an accessible WC. There are 2 dedicated wheelchair spaces in the dress circle (at either end of row B). Alternatively, if you can transfer, seats B5 and B30 in the dress circle are step-free. The theatre has an infra-red system with 12 headsets that can be borrowed from the foyer - note that a receipt must be signed for the use of these upon presenting ID. Assistance dogs are allowed into the auditorium, alternatively, staff can sit with the dog during the performance. Everyone at the theatre is extremely helpful and has great disability awareness.

Discounted Access tickets are available to those with a disability and a companion (depending on availability at each performance). To book Access tickets for Chariots of Fire, please call Delfont Mackintosh Theatres Access line on 0844 482 5137 and select the option for the Gielgud Theatre. This takes you directly through to the box office at the theatre.

Queen's Theatre Access Update & Q&A with Soprano Victoria Farley

Since Access London's last post on the Queen's Theatre (home to Les Miserables), there have been improvements made to the physical Access at the theatre. Previously there were problems with one of the doorways in the theatre, leading to one of the Accessible seating areas as it was not wide enough to accommodate most manual wheelchairs! Thankfully this has been corrected and the doorway widened to accommodate wheelchairs, manual and motorised, and also scooters. Access Info for Queen's: For wheelchair and scooter users, the entrance to the auditorium is through the fourth side door on Wardour Street – please ask a member of staff to open this for you. Level transfers are available in row D Dress Circle (may not be suitable for very low seated wheelchairs). There are places in Loge 1 and 2 that have level access. These will be suitable for wheelchairs which are maximum 1m in length and 64cm wide. Limited Mobility: 18 steps from the foyer up to the rear Dress Circle. 21 steps from the foyer down to the Stalls. 39 steps from the foyer to up the Upper Circle (this area is quite steep). Assistance dogs are allowed inside the auditorium, however Theatre Management can look after them if required. There is an Infra-red system with 12 headsets – Free hire upon production of ID. Please collect from foyer kiosk. You will be asked to sign a receipt. A £5.00 returnable deposit is required for the hire of the headsets. Please notify theatre at time of booking if you require this service. For signed, captioned and audio-described performances, patrons are requested to call: 0844 482 5166 or email access@delfontmackintosh.co.uk There is an adapted toilet with Radar lock in the foyer, accessed via a ramped corridor. Currently no bars in the theatre are accessible to wheelchair users but drinks can be brought into the auditorium. Tickets: To book discounted Access tickets (companion discount also) to see Les Miserables, call Access number and select 'Queen's Theatre' from the options on 0844 482 5137. Soprano, Victoria Farley, is a former Les Miserables cast member and part of the 25th Anniversary celebrations at the O2 in 2010. She is currently working on recording tracks in a classical/jazz crossover style, with the hope of recording an album in the near future. Victoria kindly answered some questions on Access recently and also some on her first recorded track, proving a big success on YouTube. Have a read what she has to say and check out her YouTube channel and follow on Twitter. AL: Many theatres/arts venues in London still have little or no disabled access. How aware are you of these issues? And how aware do you think others in the business are? VF: In all honesty, I was not at all aware of how many theatre/arts venues have restricted and even no disabled access, and I think I would be correct in saying that the vast majority of others in the industry are also unaware of this. AL: As a singer, how important is it to you that everyone who wants to see you perform can access the venue to do so? VF: As a performer, I feel a personal sense of responsibility to the audience at all times. To me it is of the utmost importance that every audience member has the most enjoyable time possible when visiting the theatre; in all aspects. I am also always immensely proud of the show I am in, and proud of everyone involved and it is wonderful to receive support from the audience. The fact is: No Audience, No Show. Without the support of the public, the theatre world would and could not exist. Therefore I feel ashamed that some theatres are obliged to turn away an audience member should they have a disability that cannot be accommodated. I understand there are difficulties with listed building restrictions on some of the older theatres, but in a time where health & safety, equal rights, human rights, political correctness and disability work awareness/equality are practiced in all sectors, I feel a sense of embarrassment that our sector of work is lagging so far behind. AL: Many theatres and theatre groups currently don't promote and publicise their Access details and rates particularly well. Could this be because they don't want to sell discounted Access tickets or do you think other reasons are involved? VF: I don’t think the discounted rates are an issue to theatres. With so much competition among the theatres, discounts and offers are promoted on a daily basis. Perhaps they are unaware of the issues faced in this matter, and that because so many venues do not offer Access, there will be certain audience members who are looking out for these tickets. It is something that must be bought to the attention of each venue, and the ones offering Access should be proud to stand up promote this, and encourage other theatres to follow suit. AL: Some of the larger arts venues (Barbican, ROH, RAH, RFH, Coliseum) have their own Access schemes with free membership, Access rates and dedicated Access teams. Do you think such schemes could work in West End and off West End theatres? VF: Absolutely. If you are welcomed into a place so warmly, you will be loyal to that place. As I mentioned before, the competition between each theatre is high so regular visitors and loyal members do wonders for those venues. All theatres should look into offering Access membership and rates as they will then recommend this venue to others. It would be especially worthwhile in off West End theatres as the shows change so regularly and it is always nice to welcome back familiar faces. AL: Any message to theatres owners about the future of Access for All? VF: Theatre owners should recognise the importance of Access for All. However large or small the venue is, they should be committed to offering whatever level of Access they can. It is unacceptable in this era to be turning away audience members because they cannot accommodate disabled members and theatres should be proud to stand up and say that they have made the difference. AL: You've performed in shows from Les Mis (incl the 25th Anniversary concerts) to Edwin Drood...what's made you choose to record songs, and possibly an album, at this time? VF: Having trained classically as a soprano, performing as a solo artist is something I am very used to, and before I branched into Musical Theatre, most of my performing experience were solo recitals/concerts. The idea of recording a new style of music was something I started working on 2 years ago, however I was fortunate enough to work solidly in theatre for those 2 years, so I put the recording on temporary hold. As soon as I finished pantomime this year, I took the bull by the horns and set to work whilst I had no other commitments. AL: Why a classical/jazz crossover? Where did the idea come from? VF: Just after I finished the Les Mis tour, I worked abroad for 6 months. I was singing lots of different genres of music, one of these being jazz. Jazz was a style I hadn’t worked on before and I loved it! When I started working on the idea of releasing a track, I couldn’t decide between jazz, and my first love: classical. Both are so very different, and would be marketed towards completely different listeners. And then it hit me: why not try a mixture of the two! AL: It's the first song you've recorded. What was the process like? VF: The process was quite long and tricky. Classical and jazz are completely different genres. Musically they are worlds apart, and they styles in which they are written differ in almost every way. Trying to merge the two in a way that was still sympathetic to the original aria wasn’t an easy one to work out and I did go through a stage of thinking “There is a reason why this hasn’t yet been tackled – it doesn’t work!” I was persistent however, and eventually we worked out a formula. AL: Who and what are your musical influences? VF: I have certainly been inspired by singers such as Il Divo, who have crossed classical with pop in order to make it more accessible to people who wouldn’t usually enjoy classical music, whilst still pleasing those that do listen to it. There have been many like Il Divo who are also achieving this. I have always been inspired by the greatest classical singers such as Andrea Bocelli, Pavarotti and Cecilia Bartoli, who literally raise the roof with their singing ability! AL: If an album is to be made (fingers crossed), what songs and ideas have you got for it? VF: I am currently working on a number of songs for a potential album. I also hope to be performing my own gigs soon. I am mainly sticking to the most celebrated and recognisable arias, although I will be throwing in some surprises! I shouldn’t be naming any numbers yet, as with the complications of creating new arrangements I could end up scrapping some of them, but ‘Nella Fantasia’ and ‘Canto Della Terra’ will definitely be amongst the mix. Thank you once again Victoria for answering those questions and supporting Access London and Access for All. Please check out Victoria's YouTube channel and her newest classical/jazz recording... Victoria Farley, O Mio Babbino Caro Video . You can keep up to date with Victoria's latest news and projects via her website www.victoriafarley.com . And by following her on Twitter @victoria_farley .

The National Theatre & The Magistrate

Welcome back to Access London and Thank You once again for supporting Access for All to the Arts. London's Southbank is home to many arts venues including The National Theatre building which houses three theatres, The Olivier, The Lyttelton and The Cottesloe. With many productions running at the same time, there's always something different to watch at The National.

The Magistrate, a farce set in Victorian London, is currently playing at The Olivier... "With his louche air and a developed taste for smoking, gambling, port and women, it’s hard to believe Cis Farringdon is only fourteen. And that’s because he isn’t. Agatha his mother lopped five years from her true age and his when she married the amiable Posket. Well, when I heard the new dad was a police magistrate, I was scared. Said I to myself, “If I don’t mind my Ps and Qs, the Guv’nor – from force of habit – will fine me all my pocket-money.” The imminent arrival of Cis’ godfather sends Agatha incognito to the Hôtel des Princes to warn him of her deception. But it’s also where her son has cajoled his otherwise staid stepfather into joining him for a binge. High-spirited carousing leads to a police raid and a night of outrageous mishap as the trapped guests make desperate attempts to conceal themselves from the law and from each other. Indignities escalate at court the next day where Posket, the police magistrate, must preside."

With a cast that includes, John Lithgow, Nancy Carroll, Peter Polycarpou, Joshua Mcguire, Beverly Rudd, Sarah Ovens and Christina Cole, it's one not to miss. The Magistrate will also be broadcast Live via National Theatre Live to selected cinemas nationwide on January 17th 2013. Performances at The Olivier run until the 10th February 2013, please see the National Theatre's website for more details on dates and times of performances. National Theatre Access: All entrances have wide, glass swing doors. There are semi-automatic doors on either side of the main riverside entrance. There is also free parking available to blue badge holders in the underground car park (take your blue badge, theatre ticket and car park ticket to the information desk to receive your free exit ticket). Wheelchairs are also available to borrow at The National but please ring in advance to check availability and to book on 020 7452 3000. The backstage tours run at The National are fully accessible, please notify box office of any requirements when you book. Free cast lists are available in large print and braille from the front information desk. For those requiring audio-described performances, a free mailing list is available in large print, braille or CD format, please phone 020 7452 3238 to order your copy.

The National has an audio-described programme and touch tours for those with visual impairments and captioned performances for deaf or partially hearing patrons. There are also relaxed performances. Audio Described Performances for The Magistrate: Friday 4th January 2013 (7.30pm) and Saturday 5th January 2013 (2.00pm) with a touch tour at 12.30pm. Captioned Performances of The Magistrate: Thursday 10th January 2013 (7.30pm) and Tuesday 22nd January 2013 (7.30pm).

The Magistrate is playing in The Olivier Theatre. Access Information: To reach both the stalls and circle, use the lifts from either the foyer or underground car park. Stalls: 5 wheelchair spaces are available at the back of the stalls and the back row (R) is one small step up. All other seats are accessed via steps (25 down to the front). Please note that there is no handrail on the centre aisle (Level 2). Circle: Level access is available to Row G. There are 18 steps down to the front at Row A. The steps are steep but there are handrails (Level 3). Assistance dogs can be taken into the auditorium or front of house staff can look after them for you.

The National Theatre's Access List is free to join for those with a disability. You can print off, fill in and post the form from the website or fill it in online and email it to them. It enables you to describe the requirements you have. Once the form has been processed, you will be given a password for their online bookings or you can ring the box office for tickets on 020 7452 3000 and will be entitled to their concessionary rates on tickets. It's well worth the few minutes it takes to fill in the form!

Les Miserables @ Queen's Theatre & Q&A with Rebecca Caine and AJ Callaghan

Welcome back to Access London and Thank You once again for helping to support Access For All to the Arts. Opening on the 8th of October 1985 at The Barbican Theatre, Les Miserables is the world's longest running musical and will celebrate its 27th birthday in just over a weeks time. After a short run at The Barbican Theatre, the show transferred to The Palace Theatre in London's West End in December 1985 and spent 18 years there. In 2004, the show moved to its current home at The Queen's Theatre on Shaftesbury Avenue.

Access Information - Queen's Theatre: If you are a wheelchair or mobility scooter user or cannot manage stairs, please inform a member of staff upon arrival and they will escort you round to the Accessible entrance. The Accessible entrance to the auditorium is through the fourth side door on Wardour Street. If you are able to transfer from your chair, level transfers are available in row D (may not be suitable for very low seated wheelchairs) in the Dress Circle. Chairs and scooters will be taken and stored at the bottom of the stairs, next to the foyer. If you are a scooter user and prefer not to leave your key with a member of staff, you can drive the scooter there yourself and walk back up to your seat (back up a ramped walkway with handrails). For those needing/wishing to remain in their chairs, spaces are available in Loge 1 and 2 for you and a companion. These will be suitable for wheelchairs which are maximum 1m in length and 64cm wide. For those who can manage some stairs, the Queen's has: 18 steps from the foyer up to the rear Dress Circle. 21 steps from the foyer down to the Stalls. 39 steps from the foyer up to the Upper Circle (this area is quite steep). Assistance dogs are allowed into the auditorium or staff can sit with them during the performance.

Queen's is fitted with an infra-red system and there are 12 headsets available to use upon request and with the production of ID (please inform booking line if you require this service).These are available from the foyer (please ask a member of staff if you are unable to manage stairs), a receipt must be signed and £5 returnable deposit left. There is an Accessible WC next to the foyer, it can be accessed by radar key, or ask a member of staff for assistance to open it. None of the bars at Queen's are Accessible without negotiating stairs but drinks can be brought into the auditorium to those with disabilities. There is a discounted Access rate available to those with a disability, for you and a companion. Please note, there are a very limited number of Access discounted seats per performance and, for such a popular show, early booking is advised if you'd like to take advantage of these rates. To book Access seats and for all other Access information, please call the box office directly on 0844 482 5137 and press the option for the Queen's Theatre. There are occasional captioned and audio-described performances of Les Miserables scheduled. For details of the next performance, please call 0844 482 5166. A lot of readers have been asking me what singers and actors' knowledge and opinions of Access (and sometimes lack of Access) to our theatres and arts venues means to them. So, I've put some of your questions to them and will be posting a series of mini Q&As with some fabulously talented people. As this post's Access information was on Les Miserables, today's mini Q&A is with both the Original Cosette, Rebecca Caine, and current Les Mis cast member (and cover Fantine) AJ Callaghan. Thank you very much to both for their constant support.

Many theatres/arts venues in London still have little or no disabled access. How aware are you of these issues? And how aware do you think other people in the business are? RC: I wasn't at all aware and I'm shocked. I don't think most of us have much of an idea about these issues. AJC: From working front of house at The Theatre Royal, Drury Lane and talking to some of the disabled patrons, I am actually very aware of this. Drury Lane has a very good system in place which highlights the discrepancies in other venues. Unfortunately, due to the way theatres are built and because of the time they were built, not all of them have street level access to the auditorium. For instance, just across the road from Drury Lane, is The Fortune Theatre; this theatre has a very small entrance and access to all seating is either up or down stairs, which could be extremely problematic for a disabled patron. With regards to other people's awareness, I'm not really sure. It's not a conversation I've heard backstage recently but this doesn't mean people aren't aware.

As a singer and actor, how important is it to you that everyone who wants to see you perform can access the venue to do so? RC: It’s very, very important to me! AJC: Very Important. Everybody should have access to the arts.

Many theatres and theatre groups currently don't promote and publicise their Access details and rates particularly well. Could this be because they don't want to sell discounted Access tickets or do you think other reasons could be involved? RC: I don't know. Maybe. In the end it's all about the bottom line, sadly. AJC: Unfortunately, Theatre has become part of the corporate world. Making money is a very high priority, if not top of the list of aims for most shows these days. Therefore I hate to say it, but I think maybe it is a case of wanting to sell the seats at top price, rather than advertise a discounted rate, no matter who is affected as a result.

Some of the larger arts venues (Barbican, RFH, RAH, ROH, Coliseum) have their own Access schemes with free membership, large info packs, Access rates, dedicated Access teams. Do you think such schemes could work in West End and off West End theatres? RC: Interesting about those larger venues as they are subsidised. Yes, I believe it would work in the West End also. AJC: Definitely! As I mentioned earlier, Drury Lane has a brilliant access scheme. A separate entrance with a doorbell, which welcome’s the patrons at street level, taking you directly to the access seats. The disabled toilet is also in this area and the seats are set on a wider aisle, making it easier for people who aren't transferring to sit comfortably. An access host is employed on site whose job it is to ensure the well-being of access patrons and that all venue information is relayed proficiently. With a bit of thought and effort, I'm sure this system could be brought in to most, if not all, West End theatres. Any message to theatre owners and groups about the future of Access for All at their venues? RC: GET ON WITH IT. Theatre is for all. AJC: Just that arts audiences should not be defined in any way. Theatre should be accessible to all and as a theatre owner, it is your responsibility to make this possible.

Once again, a big Thank You to both Rebecca and AJ for taking the time to answer those. Rebecca will be returning to The Pheasantry (on the King's Road, London) to perform No, No Cosette! again on the 12th and 13th October. A fabulous evening... "Internationally acclaimed operatic and musical theatre soprano reveals her dark side. Music by Blitzstein, Vernon Duke, Turnage, Ravenhill/Offenbach, Kern, Porter, Novello, Yeston, Coward and more. With Nathan Martin on piano." The Pheasantry, unfortunately, can only be Accessed via a flight of stairs. If you can manage these, then it's a night not to be missed. To book for the 12th October, go HERE . For the 13th October, go HERE . For details of Rebecca's concerts, in Canada this Autumn and Winter, see her WEBSITE . Follow Rebecca on Twitter @RebeccaCaine .

AJ is currently performing in Les Miserables until June 2013. Her next dates as Fantine are: 1st & 2nd October, 11th-20th October and 29th November-1st December. To book Access seats for Les Miserables, call 0844 482 5137. Follow AJ on Twitter @AJCallaghan1 .

Soho Cinders at Soho Theatre

Welcome back to Access London and Thank You once again for continuing to support Access for All to the Arts. This Summer, Stiles and Drewe's production of Soho Cinders Premieres at the Soho Theatre, located on Dean Street, in the heart of Soho.

"Edgy, fun and deliciously naughty, Soho Cinders celebrates the capital’s most colourful district and is set to get London’s temperature soaring this summer. When impoverished student Robbie becomes romantically involved with engaged Mayoral candidate James Prince, his lap-dancing step-sisters become the least of his problems! James and Robbie’s worlds collide forcing them to fight for their own fairy-tale ending in this hilarious, satirical twist on the classic Cinderella story. The potent mix of politics, sex-scandals and true love come together in this contemporary musical with an infectious score that you’ll be humming long past the stroke of midnight!"

The cast includes Michael Xavier @michaelxavierMX Amy Lennox @misslenn Tom Milner @thomaskmilner Neil McCaul, Suzie Chard, Beverly Rudd @BevRudd Gerard Carey, Raj Ghatak @RajGhatak Jenna Russell, Amanda Posener, Lewis Barnshaw @LewisBarnshaw Vivien Carter, Christopher Doyle, Julian Hoult @JulianHoult23 Lewis Kirk @LewisKirk Joshua Lovell @JoshuaLovell90 Nigel Roche, Philippa Stefani @PhilippaStefani And the voice of Stephen Fry @stephenfry

"Bang in the creative heart of London, Soho Theatre is a major new writing theatre and a writers’ development organisation of national significance. With a programme spanning theatre, comedy, cabaret and writers’ events and home to a lively bar, Soho Theatre is one of the most vibrant venues on London’s cultural scene." ACCESS INFORMATION: The Main Theatre has an infra-red system fitted and 5 headsets are available to borrow from the box office. Assistance dogs are allowed into the theatre and auditorium. Alternatively, staff can dog-sit during the performance (a maximum of 2 dogs are allowed per performance). The box office and bar are on the ground floor and have level Access from the street. From here, the other floors are Accessible to wheelchair users and those with mobility difficulties by lift. The lift can accommodate wheelchairs, scooters should be left in the foyer area. Seating is unreserved for Soho Cinders. However, if you need a wheelchair space or have any other Access requirements, please inform staff when booking tickets and seats/spaces will be reserved for you. There is space to allocate up to 7 wheelchairs in the front row, which is also the most suitable for anyone with impaired mobility. All of the staff are incredibly helpful. There are also Accessible toilets on the ground, 2nd and 3rd floors. Please note that the Soho area does have some issues with dropped kerbs and not all roads have them, so allow some extra time to get to the theatre. If coming from the direction of Shaftesbury Avenue, it is best to stay on the left hand side of Dean Street until opposite the theatre and then cross over just before it. The kerb here isn't completely flat but is still manageable. For more Access information, see the theatre's Access page HERE

Soho Cinders runs at the Soho Theatre until Sunday 9th September 2012. Performances are Tuesday-Thursday at 8.00pm, Fridays at 5.30pm and 9.00pm, Saturdays at 4.00pm and 8.00pm, Sundays at 4.00pm. Those with Access requirements can get a free companion ticket at the time of booking. Please ensure that you let the box office know of any requirements in advance. To book Access tickets, call the box office directly on 020 7478 0100. All other tickets can be booked online via the theatre HERE

Sweeney Todd & The Adelphi Theatre

Welcome back to Access London and Thank You once again for helping to support Access for All to the Arts in London. This post updates Access information for the Adelphi Theatre and performance dates for Sweeney Todd around the 2012 Olympics.

"Direct from a sell-out season at Chichester Festival Theatre, where it received multiple five-star reviews and standing ovations, Jonathan Kent’s production of Sweeney Todd is unmissable. Laced with dark humour, dazzling wit and an infectious score Sondheim’s musical thriller has been hailed as ‘a masterwork’ (The Sunday Times) and ‘wickedly funny’ (Guardian). Set in London and laced with Sondheim's characteristically brilliant wit and dark humour, the musical depicts Sweeney Todd's savage quest for justice and retribution after years of false imprisonment. Aided and abetted by the pie-shop owner, Mrs Lovett, he sets out to avenge the wrongs done to him and his family. Combining a gory sensibility with elements of English music hall, the production offers a fascinating portrait of a man driven to madness by injustice and grief." Located on The Strand, The Adelphi theatre has very good Access. There is a ramp at the entrance, up into the foyer, this is located to the right of the main doors that have one step up into the foyer. Once inside, there is level Access from the foyer into the Stalls. The foyer also has an Accessible WC. There are spaces for 2 wheelchairs at the back on the stalls (please note that the view can be slightly restricted because of the Dress Circle overhang). Alternatively, if you can transfer, any aisle seat in the Stalls can be booked (depending on availability). Up to 4 wheelchairs or scooters can be stored in the foyer per performance. Assistance dogs are welcome in the auditorium. Or, staff can dog-sit during the performance in the Manager's office. The theatre has an infra-red system, with a limited number of headsets available from the box office. The box office also has an induction loop. There is however no coverage in: Stalls – from Row R to rear, Dress Circle from Row J to rear and Upper Circle from Row F to rear at this time.

Sweeney Todd runs at the Adelphi until the 22nd September 2012. Performances are Monday-Saturday at 7.30pm and matinees on Wednesday and Saturday at 2.30pm. Please note, there will be no performances between the 30th July and the 11th August. Access tickets are priced at £25 each for you and one companion. To book Access seats, please call the Access booking line on 0844 412 4648. Attend The Tale!

The 39 Steps & The Criterion Theatre

Welcome back to Access London and Thank You once again for taking the time to support Access to the Arts for All.

>"Playing both the West End and Broadway, Alfred Hitchcock’s classic spy thriller, The 39 Steps, brilliantly and hilariously recreated as the smash hit Olivier Award Winning Best New Comedy. This blissfully funny show follows the incredible adventures of our handsome hero Richard Hannay, complete with stiff-upper-lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing secret agents, and, of course, devastatingly beautiful women. This wonderfully inventive and gripping comedy thriller features four fearless actors, playing 139 roles in 100 minutes of fast-paced fun and thrilling action." The Cast: London Criterion Theatre ANDREW ALEXANDER: Richard Hannay CATHERINE BAILEY: Annabella Schmidt/Pamela/Margaret STEPHEN CRITCHLOW: Man IAN HUGHES: Man SABRINA CARTER: Understudy Annabella Schmidt/Pamela/Margaret LEE RANNS: Understudy Hannay TOM WALKER: Understudy Man

The Criterion Theatre can be found in the centre of the West End, on Piccadilly Circus. The theatre is located below street level and so the main entrance only has Access to the auditorium via steps. However, there is a separate entrance at the back of the theatre, on Jermyn Street (next to the Stage Door), that provides step-free Access to the Upper Circle. Simply show your tickets to someone at the front of the theatre on Piccadilly and they will direct you to the Accessible entrance where someone will meet you. Inside the Accessible entrance there is a slope down to the Upper Circle, there is also an Accessible WC just before you get into the auditorium. There are spaces for 2 wheelchairs in the Upper Circle and also transfer seats for wheelchair and scooter users. Transfer seats do have 1 step up into the row.

There is a portable induction loop available at the Box Office and a Sennheiser infra-red hearing system in all parts of the auditorium. Headsets are available for patrons from the Cloakroom (if you are using the step-free entrance, please ask a member of staff to collect one for you). Occasional sign language interpreted performances are also played - please contact the Box Office for dates and more information on 020 7839 8811. Assistance dogs are not allowed into the auditorium but staff can dog-sit during the performance - a maximum of 2 dogs per performance. There is no step-free Access to a bar at the Criterion. However, drinks can be brought to disabled patrons. To book Discounted Access Tickets for The 39 Steps at the Criterion Theatre, please call the theatre directly on 020 7839 8811 and ask to be put through to the Box Office. Discounted Access Tickets are usually £15 each for disabled patrons and 1 companion.

Singin' In The Rain & The Palace Theatre

Welcome back to Access London and Thank You once again for helping to support Disabled Access to the Arts.

Following its critically-acclaimed, sold-out run at Chichester Festival Theatre, Singin' in the Rain is currently running at London's Palace Theatre.

"It's the roaring 20's and silent movie stars are the biggest names in the world. Don Lockwood has it all, a string of hit films and a studio-engineered romance with the most beautiful actress in town. But with the new phenomenon of the talking picture on the way and a chance meeting with a talented young chorus girl set to steal his heart, things are about to change for Don and for Hollywood forever.

With all the charm, romance, comedy and tinsel town glamour of one of the world's best-loved films, Jonathan Church's brand new production features a glorious score including the classics Good Morning, Make 'em Laugh, Moses Supposes and the legendary Singin' in the Rain.

Adam Cooper, Daniel Crossley and Scarlett Strallen are a joyous trio, dazzling in the roles made famous by Gene Kelly, Donald O'Connor and Debbie Reynolds. They lead a multi-talented cast which also features Katherine Kingsley as the hilarious blonde bombshell Lina Lamont, Michael Brandon as the highly-strung studio boss trying to win Hollywood's biggest prize, the first hit 'talkie' and Sandra Dickinson as gossip columnist Dora Bailey.

With stylish, soaring choreography from Andrew Wright and Simon Higlett's sumptuous set design, Singin' in the Rain will shower you with everything you could ever want in a hit West End musical!"



Performances are Monday - Saturday evenings at 7.30pm. There are also Matinee performances at 3.00pm on Wednesdays and Saturdays.




Access into the theatre: If you are able to negotiate some steps then, there are two steps up to the foyer, through a set of double swing doors. The Box Office, however, has level access through the first door on Shaftesbury Avenue. The Box office also has a lowered counter for easy wheelchair access. All of the stairs in the theatre have highlights and handrails on both sides. There are 3 steps down from the foyer to the Stalls, 30 steps up to the Dress Circle, 56 to the Upper Circle, 77 to the Balcony, which is very steep. The theatre opens 45 minutes before the performance.

For wheelchair and scooter users and for those who cannot manage stairs, there is an Accessible entrance through a side EXIT door on Shaftesbury Avenue. Please contact a member of staff at the front doors on arrival and someone will open this door for you. This entrance has One 3cm step into the theatre and a slight incline to the Stalls. A ramp can be placed over the 3cm step for you, simply ask the Access Assistant who opens the door. The stalls have 2 wheelchair spaces in W26 and W27 with companion seats too. Transfer seating is available to aisle seats within the stalls. A maximum of 4 wheelchairs and 1 scooter can be stored at the back of the stalls per performance.

There is an adapted WC near the Accessible entrance at the back of the stalls. There is an infra-red system operating in the auditorium and an induction loop in the Box Office. Headsets are available from the theatre foyer. If you cannot manage steps, please inform a member of staff who will bring a headset to you. Assistance dogs are allowed into the auditorium. Alternatively, staff can dog-sit during the performance. A maximum of 4 dogs are permitted into the theatre per performance.

There is no level access to a bar at The Palace. However, drinks can be brought to disabled patrons in the auditorium.

The next Signed Performance is on Thursday 21st June 2012.
The next Audio Described Performance is on Tuesday 11th September 2012.
The next Captioned Performance is on Thursday 13th September 2012.

To book discounted Access tickets to Singin' In The Rain, please call the Access booking line on 0844 412 4648.

The Lion King & Lyceum Theatre

Welcome back to Access London and Thank You once again for your continued support for Disabled Access to the Arts in London.

The Award Winning show Disney's The Lion King is in its 13th year at the Lyceum Theatre. Based on Disney's animated film by the same title and featuring music by Elton John, lyrics by Tim Rice and musical score by Hans Zimmer, the show has proved to be a hit in town!

"Set against the majesty of the Serengeti Plains to the evocative rhythms of Africa, this spectacular production explodes with glorious colours, stunning effects and enchanting music to tell the timeless story of Simba and his epic journey to fulfil his destiny as King of the Pridelands."

Performances are on Tuesday-Saturday evenings at 7.30pm and 2.30pm matinee performances on Wednesdays, Saturdays and Sundays.




The Lyceum Theatre is located on Wellington Street, Covent Garden and just off The Strand making it central and near to transport links such as Charing Cross Station. If arriving in a wheelchair, please be aware that Covent Garden piazza is cobbled (although there is a paved walkway around most of the perimeter) and also dropped kerbs are lacking in some side streets. If you are arriving via The Strand, you should have no difficulty. If driving, there are 2 blue badge bays outside the theatre. There are also 3-4 blue badge bays opposite the Opera House. However, due to recent works in the area, these ones do seem to be closed on occasions so I can only advise that you ring Westminster Council before you travel to find out if they are in operation or not. There are also several other bays dotted around the Covent Garden area.

If you don't use a wheelchair or scooter and can manage some steps, the Lyceum's main entrance has 3 steps up to its Lower Foyer. From here, the nearest seating area is the stalls, a further 7 steps down from the Foyer. If you are a wheelchair or scooter user or cannot manage any steps, there is a level, accessible entrance through a double exit door to the left of the main entrance. There is a wheelchair sign by these doors and if you notify someone at the main entrance, someone will come and open these doors for you. I'd advise you to send your companion to ask at the main entrance as crowds tend to queue back past the accessible entrance and it can take a while to negotiate your way back through them.

Although there is lift access to all levels within the theatre, it isn't recommended that those with mobility and access needs book tickets in either of the circles - there are no designated wheelchair spaces in either circle and both require you to use steps once on those levels.

Within the stalls there are 6 wheelchair spaces in Row P and 3 in Row ZA. If you use a scooter or can transfer from your chair then any aisle seat in the stalls can be booked (subject to availability). There are also 2 adapted WCs by the accessible entrance to the stalls. The stalls bar is also accessible but, drinks can also be brought to those with access needs.

There is an Infra-red system in operation at the theatre that uses a mono receiver with neck induction loop. These are used in conjunction with a hearing aid which needs to be set to position T in order to pick up the signal. Assistance dogs are allowed into the auditorium. Alternatively, staff can dog sit throughout the performance.

- The next audio described performance of 'The Lion King' will take place on Saturday 21 July 2012 at 2.30pm, with a touch tour from 1pm in the Side Circle Bar.
- The next sign-interpreted performance of 'The Lion King' will take place on Saturday July 28th 2012 at 2.30pm.
- The next captioned performances of 'The Lion King' will take place on Sunday April 29th 2012 at 2.30pm and Friday September 7th 2012 at 7.30pm.

To book Access tickets or to discuss Access needs at the theatre, you can phone the Box Office directly on 020 7420 8113. The Box Office opening hours are 10am-6pm Monday-Saturday and 12pm-3pm on Sundays. Concessions are given to those eligible to purchase Access tickets and to 1 companion.

Matilda The Musical and the Cambridge Theatre

Welcome back to Access London and Thank You once again for supporting Access for All to the Arts in London.

"Following a sensational sell-out season at The Courtyard Theatre, the RSC’s production of MATILDA THE MUSICAL has transfered to London’s West End.

Roald Dahl’s much-loved story bursts into life on stage in this brand new musical version by Dennis Kelly and award-winning musician and comedian Tim Minchin. Children and adults alike will be thrilled and delighted by the story of the special little girl with an extraordinary imagination.

The production is directed by Matthew Warchus and designed by Rob Howell with choreography by Peter Darling, lighting by Hugh Vanstone, musical supervision and orchestration by Christopher Nightingale, sound by Simon Baker and special effects and illusions are by Paul Kieve. The entire creative team has reassembled to create the London production."

Matilda the Musical is proving to be a huge hit at its new West End home, the Cambridge Theatre. Fun for kids, adults, the whole family.




The Cambridge Theatre is located in Covent Garden, just off of Shaftesbury Avenue. If you are travelling there in a wheelchair or scooter, just be aware that although the immediate area of Cambridge Circus is very easy to negotiate round, with all kerbs dropped, other streets in the area do have narrower pavements than others in the West End, so you may need to allow a little more time to travel to the theatre.

There are no steps into the foyer of the theatre, through two sets of double-swing doors. However, from here there are steps down into the stalls corridor and considerably more up to the dress and upper circles. All stairs have handrails either side and the steps are highlighted.

For wheelchair and scooter users and for those who cannot manage stairs, there is a level Access entrance through the third double exit door on Earlham Street. The theatre is open approximately 45 minutes before the show starts and if you notify someone at the main entrance, they will direct you to the Accessible entrance doors where someone will meet you. This leads straight into the Stalls corridor where there is also an accessible WC - please note however that this is the main corridor for all patrons to use before and after the show and during the interval. The accessible WC door opens out onto the corridor which can become extremely busy.

For scooter users and those who can transfer from a wheelchair, scooters and chairs are left in this corridor. There is a slight slope down into the Stalls. For those who need to remain in their chair, there are 2 spaces for wheelchair users in the Stalls at N1 and N34. For those that can transfer, any aisle seat in the Stalls can be booked (subject to availability). The theatre can store up to 4 wheelchairs and 2 scooters per performance.

For those requiring extra leg room, aisle seats and seats J1 and J8 have the most and also Box A, although this can only be accessed via 3 steps. The auditorium is fitted with an infra red system and the box office has a loop system fitted. There are 8 headsets available for use during the performance and these can be collected from the foyer. Assistance dogs are allowed into the auditorium. Alternatively, staff can dog-sit during the performance (maximum of 4 dogs per performance).

Unfortunately, feedback seems to show that staff at The Cambridge are not always that helpful and could be more disability aware. Although physically the theatre is accessible, please be aware that assistance there is not always that great and therefore if you do require help, it is best to take advantage of the second Access rate ticket you can obtain at the time of booking.

To book Access tickets to see Matilda the Musical (currently booking until 21st October 2012), please call the Access Booking Line on 0844 412 4648 - Access rates are subject to availability at each performance and don't forget the rate applies to both you and 1 companion, which equates to a fairly good discount for Stalls tickets.

Jersey Boys and The Prince Edward Theatre

Welcome back to Access London and Thank You once again for continuing to support disabled Access to the arts in London.

The Hit Musical, Jersey Boys, plays at The Prince Edward Theatre, located on Old Compton Street in Soho.

"YOU KNOW THE SONGS...NOW DISCOVER THE STORY!!

JERSEY BOYS, The Story of Frankie Valli and The Four Seasons is now playing at the Prince Edward Theatre, London. Discover the rags to rock to riches tale of four boys working their way from the streets of New Jersey to the heights of international pop-stardom.

Featuring all the classic hits: SHERRY, BIG GIRLS DON'T CRY, CAN'T TAKE MY EYES OFF YOU, BYE BYE BABY (BABY GOODBYE), WORKING MY WAY BACK TO YOU, WALK LIKE A MAN, DECEMBER 1963 (OH WHAT A NIGHT) and more."





Access for wheelchair/scooter users and those who cannot manage stairs to the Prince Edward auditorium is via a double exit door on Greek Street, to the right hand side of the theatre's main entrance on Old Compton Street. There is disabled Access to the theatre foyer from Old Compton Street where the box office is located but, from here, there are stairs into the auditorium. Simply ask someone at the entrance and they will escort you around to the Accessible entrance.

Inside the Accessible entrance, there is a short ramp up into Box 1 where there is space for 2 wheelchairs and companion seats. The entrance is Accessible to scooter users but the Box isn't really geared up for it so you would be better to transfer from your scooter into a theatre seat in the Box. Staff are happy to take and store your scooter during the performance. It is also quite a tight turn from the Accessible entrance doors into the Box and some scooters may struggle with this - my advice, transfer, if you can! There is also some transfer seating available in Row A of the Dress Circle.

The theatre has a Loop System fitted and headsets are available from the Access attendant for a deposit of £5. Up to 2 Assistance dogs are permitted into the auditorium for any one show or, the Access attendant can sit with them during the performance, if you would prefer.



The only bar that is Accessible is the one in the foyer. To reach this during the interval, you would need to go back out onto Greek Street and around to the main entrance on Old Compton Street. However, staff at the Prince Edward are extremely helpful and the Access attendant is more than happy to go and bring drinks/programmes etc to you before the performance or at the interval. The only Accessible WC in the theatre is again in the foyer, so this means a trip back out onto Greek Street and around to the main entrance if you need to use this during the interval. Staff are happy to assist with the trip round though but my advice would be, unless you really want/need to go the bar or toilet at the interval, try to avoid doing so.

There are concessions available on the Access rate for disabled patrons and 1 companion. To book Access seats to see Jersey Boys, please call the Access line on 0844 482 5137. This is the main Access line for all Delfont Mackintosh theatres so simply select the option for the Prince Edward when prompted and it will direct you straight through to their box office (lines are open Minday-Friday).
You can also send Access enquiries via email to petbox@delfontmackintosh.co.uk

Billy Elliot The Musical & The Victoria Palace Theatre

Welcome back to Access London and Thank You once again for continuing to support Access to the Arts in London.

The award winning musical Billy Elliot plays at the Victoria Palace Theatre and has been entertaining audiences since 2005.

"Set in a Northern mining town, against the background of the 1984/’85 miners’ strike, Billy Elliot is the inspirational story of a young boy’s struggle against the odds to make his dream come true. Follow Billy’s journey as he stumbles out of the boxing ring and into a ballet class where he discovers a passion for dance that inspires his family and whole community and changes his life forever."



Victoria Palace Theatre is a short distance from Victoria Station and on the North side of Victoria Street. The main entrance has a very small (3cm) step up into the foyer and box office area. From here, the most accessible area of the auditorium are the stalls which are down 4 steps from the foyer. The steps have handrails either side.

For wheelchair and scooter users and for those who cannot manage steps, there is a level access entrance in Allington Street which is to the left of the theatre. Simply inform someone at the front of the theatre and they will open this level entrance for you. Inside, there is an accessible WC (if you haven't got a RADAR key, please let a member of staff know and they will open it for you). This entrance leads directly into the back of the stalls. Scooters can be stored and brought to you in the interval and at the end of the performance.

For wheelchair users that cannot transfer, there are 2 spaces at P36 and M36 where you can remain in your chair throughout the performance and your companion can remain close by. If you can transfer, then any aisle seat in the stalls (subject to availability) can be booked. In addition to the 2 wheelchair spaces, 4 wheelchairs or scooters can be stored per performance.

Assistance dogs are permitted into the auditorium and staff can dog sit during the performance in the Manager's office. There is an infrared system in the auditorium with both loop and conventional headsets available. These must be booked in advance and a small deposit is required - please ask the access assistant on arrival for your headset.

There are sign interpreted performances of Billy Elliot on:
Thursday 9th August 2012 Matinee Performance (2.30pm)
Friday 7th September 2012 Evening Performance (7.30pm)

There are Audio Described performances of Billy Elliot on:
Saturday 1st September 2012 Matinee Performance
Thursday 6th September 2012 Matinee Performance

There are captioned performances of Billy Elliot on:
Tuesday 28th August 2012 Evening Performance
Saturday 8th September 2012 Matinee Performance

Performances are Monday-Saturday evenings at 7.30pm and matinee performances on Thursday and Saturday at 2.30pm.

To book Access tickets for Billy Elliot (currently priced at £27.50 each for you and a companion in the stalls of the Victoria Palace Theatre), please call the Access line at the box office directly on: 020 7834 1170. Access bookings and enquiries can also be made via email at access@victoriapalace.co.uk

For all other tickets, please call the box office on: 0844 811 0055.

Phantom of the Opera & Cast Interview with Simon Shorten

Welcome back to Access London and Thank You once again for continuing to support disabled access to the arts in London.

Today's post is an update on some of the Access information for Her Majesty's Theatre, home to Phantom of the Opera and located on the Haymarket. There is also an interview with cast member Simon Shorten.

Her Majesty's Theatre has level access for wheelchairs, scooters and those who cannot manage stairs on Charles II street. Simply make yourself known to someone at the front of the theatre (usually someone is around from 30 minutes before a performance) and they will escort you around to the side entrance. This entrance leads into the rear of the stalls.


The stalls have a storage area for wheelchairs and scooters and an accessible WC. There are spaces for 4 wheelchairs in row S in the stalls. If you can transfer, any aisle seat in the stalls can be booked (subject to availability). An usher is assigned to help and assist those in the wheelchair spaces and transfer seats.

There is an infra-red hearing loop system with 10 headsets available to use - these can be collected from the cloakroom or ask a member of staff for one (a receipt needs to be signed). Two assistance dogs per performance are permitted at Her Majesty's. Large print programmes and braille cast lists are also available upon request. Overall, Her Majesty's is very accessible and has some of the most disability aware staff I know of in any London theatre!

There are performances Monday-Saturday at 7.30pm and also matinees on Thursday and Saturday at 2.30pm.

To book Access Tickets for Phantom (currently from £22.50 each for you and a companion/carer in the stalls!) please call: 0844 412 4648. For all other tickets, please call: 0844 412 4653.



Today's interview is with Simon Shorten who is Swing and covers the role of The Phantom at Her Majesty's. I'd like to once again say a huge Thank You to Simon for his time and support.

When you first went on for The Phantom, how did it feel to step onto the stage as that iconic character?

Absolutely incredible, there's no other feeling like it, terrifying but exhilarating at the same time


How do you get on with the make up process for The Phantom?

I actually really enjoy it, we normally start at 6:55pm, it takes around 40-45 mins but for me it's a great time to relax and chat with the make up and wig staff and listen to some music whilst seeing myself become this unbelievably grotesque Character.

It's very surreal to go through, but once I know the make up is on, I hardly notice it's there.


Do you have a favourite song or scene to perform as The Phantom?

Final lair without a doubt, I love it. It's just so brutal for everyone, all three of us get thrown around, there's so much passion and tension, it's an amazing scene to be a part of.


What do you think is the key to Phantom's success?

I think it's really simple. It's just one of those stories that many people can relate to, at some point, we've experienced the themes that run throughout the show, and those feelings don't go away easily. Phantom almost forces you to remember, it did for me anyway.


Her Majesty's is fantastic for disabled access, what is it like as a theatre to perform in?

It's incredible, a beautiful building with a lovely atmosphere out front and backstage, there is so much space it's easy to slip away for some quiet time should you need it.

How did it feel to be part of the Phantom 25 celebrations?

Humbling. Being quite new to the show, it was an incredible experience to meet all the great people who have been involved in the show over the years and to see the amount of support it received from the audiences. I'll never forget it.


What is your most memorable moment from Phantom 25?

Being the phantom double in the journey to the 1st lair, great to have a moment to briefly play the Phantom for such an iconic moment, (and a lovely bit of screen time on the DVD too lol) ;)


The designs for Phantom are breathtaking, do you have a favourite?

Costume - you simply cannot beat the suit. I've never had a suit tailored for me, and if you were ever going to have one, you'd want it to be the Phantom's. It feels incredible to wear, I absolutely love it.

Set - I love the simplicity of the auction, not to give too much away for those who haven't seen it, but how that seen progresses to Hannibal always makes me go wow that is cooooool lol !!


If you could play any role in musical theatre, what would it be and why?

I love to play the darker characters, Sweeney Todd would be my ultimate want, it's one of my favourite shows, that would be very special for me (fingers crossed eh)


Do you have a message for the Phantom audiences and fans?

I've met some wonderful people during my time here, I can't thank you enough for all the love and support you give me, you guys are awesome, Thank you so much!!

Also, keep your eyes peeled for updates on my website, www.simon-shorten.com as I have some great projects lined up throughout the year!!!

Lots of love

Simon. Xxx

You can also keep up to date with Simon's news by following him on Twitter @SiShorten

Pippin @ Menier Chocolate Factory & Interview with Frances Ruffelle

Welcome back to Access London and a Happy New Year to all! Hoping you all enjoyed a lovely Christmas and New Year holiday. Access London's first post of 2012 is dedicated to the new production of Pippin, currently playing at The Menier Chocolate Factory and also a special interview with Frances Ruffelle.

"In this coming-of-age story, Pippin, heir to the throne of Charlemagne, ventures on a quest of self-discovery, but in doing so our hero must face the uncertain worlds of warfare, love, politics and religion.

With music and lyrics by Stephen Schwartz (composer of Wicked and Godspell ) and book by Roger O. Hirson, The Menier Chocolate Factory’s new version has been completely re-conceived, directed and choreographed, incorporating Bob Fosse's original Tony Award-winning routines, by Mitch Sebastian."

The cast includes Harry Hepple, Carly Bawden, Frances Ruffelle, Matt Rawle and Ian Kelsey.

Pippin is running at the Chocolate Factory until the 25th February with performances Tuesday-Saturday evenings (8.00pm) and Saturday and Sunday Matinees (3.30pm). To book Access tickets and concessions, call the box office directly on 020 7378 1713.

Wheelchair access is via the main entrance on Southwark Street (the venue is not really suitable for scooters however). If you have any mobility or disability requirements, please explain to the box office when booking tickets so that they can arrange for any assistance needed and help you to book the most suitable seating for your needs. There is 1 space for a wheelchair at the front of the auditorium, with a space next to it for companion/carer. There are other options if you can transfer to a theatre seat. Unfortunately, there is no infra red loop system at this venue. However, it is a fairly intimate space so please explain any requirements at the box office when booking and they will arrange seating as close to the stage area as possible.


Access London is delighted to share with you an interview with Frances Ruffelle who plays Fastrada in Pippin. I'd like to again say a huge Thank You to Frances for taking the time to answer some questions....


AL: This new production of Pippin brings the story into a modern and cyber world, can you tell us anymore about this?

FR: It’s best for me not to spill too many beans… but yes, this Pippin is set in a virtual reality game world.


AL: This production has been completely re-conceived. But would it be correct to say it still includes Fosse's original routines?

FR: We do indeed have original Fosse routines and we also have some fosse-esque choreography. We were very lucky to have Chet Walker (who worked closely with Fosse) come teach us the real thing!


AL: What were the routines like to learn?

FR: Well to be honest my role doesn’t have very much original Fosse but I did learn some of the other routines and it was incredible to hear the original stories of their creation, especially the Gwen Verdon walk! Gwen was Pigeoned toed and had leg braces as a kid and Bob Fosse found a way to make her unique stance into a very sexy but quirky walk! I base my character's walk on that.


AL: The production has a great cast with yourself, Matt Rawle, Harry Hepple and Carly Bawden. What has it been like together as a company?

FR: We have a ball! We share a very big dressing room with a screen splitting the girls from the boys but we can hear everything each other is saying! It’s a complete laugh backstage. We play music and play tricks on each other. I sit next to Carly, she is the same age as my daughter and has great taste in music.


AL: What can you tell us of your portrayal of Fastrada?

FR: I chose to portray Fastrada as an Essex trophy wife! I thought quite topical for now with TOWIE and I was born in Essex (even though I don’t naturally have an essex accent). But she is clever and knows how to get what she wants but really she does not give a toss about anyone but herself and she thinks she is the business!


AL: As an off West End theatre, what is the Chocolate Factory like to perform in?

FR: I love the intimacy of working here in a small theatre but also it’s great to be in a theatre known for its incredible artistic successes and with its many supporters, we are lucky to have fabulously interested audiences.


AL: Do you have a favourite scene in the show?

FR: I love GLORY going into The Manson Trio, an epic dance/fight scene


AL: I know why I've booked tickets to see Pippin - the cast and to see the new take on it - but what would you say to people who are as yet undecided whether to come watch?

FR: If you like to be entertained this is the show! I watch whatever scene I am not in from the back because I can and I want to! I love it!


You can see Frances in Pippin at The Menier Chocolate Factory until the 25th February.

Frances also has her own show BENEATH THE DRESS that she will be performing at the Chocolate Factory on the evening of Sunday 12th February. You can book tickets for this via the WEBSITE or, for Access tickets, please call the box office on 020 7378 1713.

Frances' most recent album, 'Imperfectly Me' can be found on itunes or ordered from Dress Circle
You can also follow Frances on Twitter @frankieruff







COMING SOON: Les Miserables, Billy Elliot, Matilda