The Barbican and Mark Llewelyn Evans Charity CD

Located in the City of London, The Barbican is home to an Arts and Conference Centre, Gallery and two Theatres: The Barbican and Silk Street Theatres. The venue hosts concerts, shows, exhibitions, and talks.

The Barbican is completely accessible to those using a wheelchair or mobility scooter. However, it is a large venue and so for those who find walking difficult, The Barbican does have three wheelchairs for visitors' use, subject to availability; these can be pre-booked by calling the Box Office on 020 7638 8891. The main entrance on Silk Street is ramped and has lifts nearby, allowing access to all levels within the Barbican.

An induction loop is provided in the Concert Hall and Cinema. Visitors with hearing aids can make use of this facility by switching their hearing aid to the 'T' position. A radio network system is provided in the Theatre and Pit - visitors with hearing impairments may benefit from this facility. Headsets can be collected from Theatre Stalls Right prior to performance.

Assistance dogs may be taken into the auditoria or left with a member of staff. Adapted WCs are provided on Levels -2, -1, G, 1, 2, 3 & 4.

The Barbican also has its own Access Membership Scheme - this allows those with disabilities to register your requirements for free so that your needs can be met. The scheme also entitles you to the fantastic Access Rate tickets for shows and concerts. You can also pre-book a blue badge car parking space at The Barbican and park for free - to do this, book your space with the box office on 020 7638 8891 and when you arrive at the theatre, take your show ticket to the box office and they will provide you with a free exit ticket for the car park. To book tickets and find out more about the Access Membership Scheme please visit www.barbican.org.uk



Welsh Baritone, Mark Llewelyn Evans, recently performed at The Barbican in HMS Pinafore. On the 18th March 2012, Mark released a charity CD in support of the Welsh Guards Afghanistan Appeal Fund. The Fund raises money for the Welsh Guards and their families. The CD is called 'Tell My Father' and also includes the support track 'Men of Harlech'. The CD can be purchased in iTunes and Amazon for £2.58.


Immediate - Press Release - 13th March 2012

Welsh baritone Mark Llewelyn Evans (brother of tenor Wynne; Gio Compario) joins ranks with the Welsh Guards to launch a fund raising CD to support Welsh troops and their families as they are deployed to Afghanistan again this week.

The CD - a double single - called Tell My Father - with support track ‘Men of Harlech’, the regimental slow march of the guards - has been made with the generous support of many artists and technicians, all of whom gave their time and talents for free, in order to raise funds for The Welsh Guards Afghanistan Appeal Fund.

The hope is to raise £50,000 by Remembrance Sunday this year. As increasing numbers of young soldiers are wounded or die, more & more pressure is put on money available from other sources and so, The Welsh Guards created their own fund to help soldiers and their families who are suffering as a result of the conflict in Afghanistan.

Soldiers like Guardsman Dale Leach who lost a leg and was flown home with a shattered spine, not expected to live. Amazingly he survived but now requires special support and care and has to live with his parents. The fund has helped them to make improvements and adjustments to their home to accommodate Dale’s injury requirements. Parents of soldiers who have lost their lives also find solace in helping the fund like the mother of Lance Corporal Dane Elson, killed in 2009, who helps to manage the fund’s website.

Mark Llewelyn Evans stepped forward after the he was approached by the Welsh Guards who had heard him singing ‘Tell My Father’. A successful soloist, Mark has performed in musicals and opera as well as with Katherine Jenkins for the Welsh Rugby Union. Last year he was asked by Guy Ritchie to appear in the new Sherlock Holmes film A Game of Shadows. The CD also features The Regimental Band of the Welsh Guards, Llantrisant Male Choir & renowned Welsh actor Richard Elfyn.


The Guard’s Colonel and patron, HRH The Prince of Wales speaks in support of the fund -
“It is vital that those Welsh Guardsmen who have given so much to this country and their Regiment know that they and their dependents will be cared for and supported should the need arise. The Welsh Guards Afghanistan Appeal will play a key role in providing this support in the short and the long term, as the wider Regimental family plays its part. I commend the Appeal and ask all those who can to support its admirable work.”


The Guards are also performing in a 3 night concert tour in Wales on the 21st, 22nd and 23rd of March to support the appeal.


The CD, to be launched on the 18th March, is available on iTunes and Amazon at £2.58

You can read more about the appeal and charity on their official website and also donate to the fund at... www.welshguardsappeal.com

To hear sound clips from the sound and for more information about Mark and his forthcoming performances and concerts, see his website at www.markllewelynevans.co.uk

You can also follow Mark on Twitter @markllew


COMING SOON: Matilda, Singin In The Rain, Lion King

South Pacific at The Barbican & Cast Interview - Part 1

Welcome back to Access London and thank you once again for your continued support for disability access and awareness in the Capital.

Today's post looks at the Lincoln Center Theater production of Rodgers and Hammerstein’s classic musical, South Pacific, currently playing at the London Barbican before going on a UK tour. The show is at The Barbican until the 1st October. After that it will tour the UK and currently has shows booked in Milton Keynes, Manchester, Glasgow, Bristol, Oxford and Southampton.

Whilst at The Barbican, South Pacific is showing on Monday-Saturday evenings and has matinee performances on Thursday and Saturday.

The Barbican is completely accessible to those using a wheelchair or mobility scooter. However, it is a large venue and so for those who find walking difficult, The Barbican does have three wheelchairs for visitors' use, subject to availability; these can be pre-booked by calling the Box Office on 020 7638 8891. The main entrance on Silk Street is ramped and has lifts nearby, allowing access to all levels within the Barbican.

An induction loop is provided in the Concert Hall and Cinema. Visitors with hearing aids can make use of this facility by switching their hearing aid to the 'T' position. A radio network system is provided in the Theatre and Pit - visitors with hearing impairments may benefit from this facility. Headsets can be collected from Theatre Stalls Right prior to performance.

Assistance dogs may be taken into the auditoria or left with a member of staff. Adapted WCs are provided on Levels -2, -1, G, 1, 2, 3 & 4.

The Barbican also has its own Access Membership Scheme - this allows those with disabilities to register your requirements for free so that your needs can be met. The scheme also entitles you to the fantastic Access Rate tickets for shows (the current Access Rate for South Pacific is £7.50 each for a disabled guest and their companion!!). You can also pre-book a blue badge car parking space at The Barbican and park for free - to do this, book your space with the box office on 020 7638 8891 and when you arrive at the theatre, take your show ticket to the box office and they will provide you with a free exit ticket for the car park. To book tickets and find out more about the Access Membership Scheme please visit THE BARBICAN WEBSITE

South Pacific itself is a fabulous show with a beautiful score and an extremely talented cast, including several cast members from the US Tony Award winning show - reinvented for British audiences, this show is a must-see either at The Barbican or on its UK tour later this year and into 2012.

As promised in previous posts, Access London is delighted to bring you an interview with one of South Pacific's cast, Nick Wyschna. Access London would like to take this opportunity to once again say a huge Thank You to Nick for taking time out to answer some questions. Nick's interview will be shared in two parts, so here we go with the first.....

AL: How has it been to work with Paulo (Szot) and Loretta (Ables Sayre) and has it been helpful for you all to be working with them as they have done this show before?
NW: Well we did the first week, week and a half, without them because they were doing other things. I think Loretta was working in Hawaii and Paulo was doing an opera somewhere else, so we didn't have them for the first week and a half. We were learning the show on our own and then they turned up, and obviously they know the show very well, and they are phenomenal. It didn't make it harder at all as their knowledge helped the rest of the cast learn the show to a more broader depth.

AL: That's great! So they were a real support for you all?
NW: Absolutely. I mean, to learn the show from scratch is hard anyway and also exciting but having someone there that's already done it and is happy to reinvent their show - because they're so open - they're not playing the same shows they did on Broadway. That's what Bart, the Director, wanted - they're not precious about it at all, they will work with the new cast, this is a brand new production of it.

AL: That's really good to hear...
NW: Yeah, it's nice because we were all worried about that because they've already done it and with Bart aswell - Bart's directed it twice now, on Broadway and on the US tour. The first day he said 'this is not the same production, this is a reinvention of the same show', and he's stuck to that.

AL: A production for the UK then?
NW: Absolutely, yes. The body of it is the same but you've got different actors and they do it in different ways. I think that's very important for Bart to keep and for Paulo and Loretta to reinvent it.

AL: Yes, they need to make sure they kept it fresh?
NW: Definitely, and they have done - they've kept to their word for sure.

AL: How did you get involved with the show and land a part in it?
NW: My agent. This show has been spoken about for a while and it's been on and off kind of thing but they were seeing everyone in this industry, so many wanted a part in this so I think I did maybe 6 rounds. But I've got an agent, a manager, who puts me up for these closed auditions and they just whittle you down slowly so, a couple of dance calls, a couple of singing calls. We found out quite quickly actually, which was nice. And it was a nice audition process aswell as sometimes the panel don't make you feel completely comfortable so you don't perform at your best. Whereas, with these guys, Neil Rutherford who's head of casting, he is one of the nicest guys you'll ever meet and he makes you feel so at ease so that you can be yourself, have a laugh with them and so they see the best of you - I think that's so important.

AL: That's fantastic, so they can really get to see what you can do then?
NW: Yes, you've got to be able to be yourself. First of all you've got to be talented, second you've got to be someone who can work in a team because we're together for 12 or 13 months and if there was one person in who wasn't a team player then it could go absolutely 'tits up!'. This is a fantastic company, everyone has gelled and it's accommodating and not back-stabbing, it's just a lovely company.

AL: Do you think that it's quite a 'British' thing to be supportive within a company, or not?
NW: I don't know. I worked in America, I did a show in New Orleans and I found them to be just as lovely but it's just a completely different work ethic. I can't really put my finger on it - from day one, it has been so supportive. Before day one we all got a letter from Neil Rutherford saying 'Bart's requested everyone off book for the first day of rehearsals', now I've never heard of that. I mean, I've not worked for years and years, I've only done six years, but I've never had anything like that! To be off book for the first day of rehearsals - so we do a full read through off book -it was incredible! So, we started at that level, so then you start at a place where you can carry on working from, rather than learning your lines on the job, which is a waste of time.

AL: Do you have a favourite part of the show?
NW: The songs are all incredible, I don't have a favourite song as it's such a beautiful show. I love watching Paulo, he is such a natural actor, everything is just so truthful and Loretta aswell. And Loretta has had no training, never been to drama school, it's just amazing!

AL: Are you looking forward to the tour as you only have 7 weeks at the Barbican before you go off on that?
NW: Seven weeks here, yeah. Then we've got a tour planned for 12 months or so - I know we go to Milton Keynes and Manchester to start with. I am looking forward to it because the job is just immense. I've just finished a tour five months ago in Mamma Mia, an international tour, and that was hard - touring is hard anyway but touring internationally throughout most of the year is super hard, so I'm looking forward to being in the UK - you can use your phone for free!!! I've got a girlfriend so I don't want to go too far and this means on my days off I can get home to see her and that's important to me and my family of course.
The thing is, I'm not in a position where I can choose my jobs so, if they said to me 'you've been offered an international tour' then I would have to say yes, but this is much better for me.


A huge Thank You to Nick Wyschna once again and I hope you all enjoyed reading this interview. Part 2 of Nick's interview includes lots of great information about his album so please check back with us to catch up with him again - due for posting on Sunday. In the meantime, to find out more about Nick and his Album 'Lost in the Wilderness', please VISIT HIS WEBSITE HERE
You can also follow Nick on Twitter @NickWyschna

Watch the official trailer for South Pacific here....



COMING NEXT: Nick Wyschna - 'Lost in the Wilderness'
COMING SOON: The Tempest, Billy Elliot, More from the Phantom 25th Celebrations and cast interviews

Access London - Theatre Update

Welcome back to Access London and thank you once again for your support for better disability access and awareness in the Capital.

Today's post is an update for all theatre and music lovers out there...

The much anticipated Lincoln Center Theatre Production of Rodgers and Hammersteins's South Pacific is set to take the UK by storm from August this year. The show opens at The London Barbican for a 7 week run on 15th August and from then beings a UK tour to include: Milton Keynes, Manchester, Glasgow, Bristol, Southampton and Oxford.

The production enjoyed a successful, 2 year run in New York and now UK audiences will get the chance to see the show. With a fabulously talented cast, this is one show not to be missed this summer. Access London will be seeing the show at the beginning of its run and there will be a more detailed post shortly after on this blog.

The Barbican has good Access for those using a wheelchair or mobility scooter. It also has a great Access Scheme that allows you to register your personal access needs so that the best available seating and options are available to you. Blue Badge holders can also reserve a parking space, free of charge, onsite from an hour before the performance starts.

I cannot comment on the Access to all the venues featured on the UK tour so if you are wishing to see the show outside of London, I would recommend contacting the relevant theatre or venue.

To register on The Barbican's Access Scheme and book tickets for South Pacific CLICK HERE




To book tickets for all other venues on the UK tour, see the SOUTH PACIFIC UK WEBSITE



Other news sees the premature and sad closure of Lend Me A Tenor at London's Gielgud Theatre on Shaftesbury Avenue. This production was due to run until November 2011 but it was reported over the weekend that the show will close in London on Saturday 6th August!

The show has received some fantastic reviews and I have spoken to many that have seen it and really enjoyed it. There appears to be special offers on tickets for the remainder of its run and it would be well worth going to see it before it closes.

The Gielgud is Accessible to those using a wheelchair or mobility scooter via a side door on the same street as the stage door. A member of the front of house staff will meet you at the front of the theatre and take you to the entrance which enters near the cloakroom on the dress circle level. There are 2 allocated wheelchair spaces in the dress circle and other options for those who can transfer. To book Access tickets, please call 0844 482 5137. For all other ticket types, please call 0844 482 5138.

"This uproarious new musical comedy by Peter Sham and Brad Carroll is a riotous, unpredictable explosion of mistaken identities and unexpected romance – based on the award-winning West End and Broadway hit comedy by Ken Ludwig."

"This brand-new production is directed by Olivier award-winning director Ian Talbot (High Society, Anything Goes) and choreographed by Tony-nominated choreographer Randy Skinner (42nd Street, White Christmas). The cast includes the Olivier award-winners Matthew Kelly and Joanna Riding."




COMING SOON: The London Eye, London Eye River Cruise, Access London Celebrates Phantom of the Opera's 25th.