The Union Theatre, Pipe Dream and Music That Matters

Welcome back to Access London and Thank You once again for continuing to support Access for All to the Arts. Today's post looks at Access to one of London's hottest fringe theatres, The Union, and its current production, Rodgers and Hammerstein's Pipe Dream. There is also an interview with Kieran Brown who is currently starring as 'Doc' in Pipe Dream and is performing his own cabaret, 'Music That Matters', this coming August Bank Holiday Monday.

"Pipe Dream is the seventh musical by the team of Richard Rodgers and Oscar Hammerstein II; it premiered on Broadway on November 30, 1955. The work is based on John Steinbeck's short novel Sweet Thursday—Steinbeck wrote the novel, a sequel to Cannery Row, in the hope of having it adapted into a musical. Set in Monterey, California, the musical tells the story of the romance between Doc, a marine biologist, and Suzy, who works as a prostitute." The Union has made a name for itself in bringing lesser-known musicals and gems to London audiences at its home on Union Street in Southwark. This production of Pipe Dream marks the shows London Stage Premiere, 58 years after its Broadway one. The cast of 17, led by Kieran Brown as Doc and Charlotte Scott as Suzy is directed by Sasha Regan. Kieran Brown stars as 'Doc' in Pipe Dream, some of his other credits include, Phantom, Wicked, Love Never Dies and Les Miserables. He has regularly supported the work of Access London and has kindly agreed to once again answer a few questions. Thank You very much Kieran!

AL: Pipe Dream is not one of R&H's most well known shows. Why do you think this particular show of theirs was chosen for The Union? KB: The Union has a great reputation for taking lesser known shows, or taking pieces and doing something different with them. Our Director, Sasha Regan and Choreographer, Lizzi Gee's all male Pirates of Penzance springs to mind, so I think doing this very unknown piece from two of the best known musical theatre writers in history was a good choice for The Union. Sasha and Lizzi really tried to get to the root of the problems with the piece and fix whatever it was that didn't quite gel with audiences on Broadway. The have done a wonderful job, right down to the casting of each and every person in the show. The are genuinely all Awesome! AL: How does it feel to lead the London Premiere of an R&H musical? KB: Really exciting! As Ted Shaffer (President of the R&H Theatrical Europe pointed out, we are the first to have done this, it's being done for the first time so technically, we created it professionally after having to wait 58 years in the UK.

AL: The show really does have some superb choreography. What can you tell us about the piece for Doc's song 'The Man I Used To Be'? KB: Without giving too much away, Lizzi Gee has definitely created one of the highlights of the show (for me and some of the reviewers). It's incredibly creative, sweet and clever. Joshua Lovell, who I sort of 'Duet' with is a great dancer, light on his feet and a mean tapper! I'm definitely not....! AL: How did you go about preparing for this role? KB: Well, I read the novels it is based on 'Cannery Row' and 'Sweet Thursday' by John Steinbeck. With regards to the show, there wasn't all that much out there about it, other than Wikipedia articles about its failure to launch on Broadway in the 50s. I must admit, I was never really a R&H aficionado but I have fallen head over heels for this score. AL: In one sentence...why must audiences come and see this show? KB: London Premiere (it has taken 58 years to get here), super cast, creative, clever choreo and direction. A distraction from life's daily woes, very sweet without being over sentimental. That's two sentences, I know, but hey, nobody's perfect...!

The Union Theatre has level Access from street level (on Union Street, under the railway arches), through the small café and seating area at the front of the venue to the box office, located in the bar at the back. Through two sets of double doors is the theatre itself. The area is step free but if you are a wheelchair user or have other mobility problems, please be aware that some parts of the floor are a bit uneven. The theatre has 3 rows, the front of which is on floor level and can accommodate a wheelchair. The other 2 rows are 1 or 2 steps up into them. Tickets are unallocated for seating when booking online. However, if you ring the box office (most of the time this will go to an answer machine so leave your name and number), you can book a wheelchair space or request an end of row seat if you have mobility difficulties. The box office number is 020 7261 9876. For online bookings, click HERE . Pipe Dream is running at The Union until Saturday 31st August. Performances are Tuesday - Saturday evenings at 7:30pm and matinees on Saturdays and Sundays at 2:30pm.

Kieran Brown will be performing his own cabaret, 'Music That Matters' on Monday 26th August AT 8:00pm at The Union Theatre. Tickets cost £15 (£12 for concessions) and can be booked through the box office on 020 7261 9876 (best for Access bookings). You can also book online HERE . To keep up to date with all of Kieran's news, follow him on Twitter @LuciferBox . You can also check out his website www.kieranbrown.com . Here's what Kieran had to say about his forthcoming cabaret... AL: What can people expect from the evening? KB: An evening of simply soulful, personal music, sung by some of my favourite performers (and friends)around town. AL: Why The Union as your chosen venue? KB: Well, I am doing Pipe Dream there at the moment. I have a tremendous affection for The Union. I know the space, the acoustics and the atmosphere and for what I have in mind for this show, it is perfect! AL: How did you go about making your song choices for this cabaret? KB: Each song means something very personal to me (and my guests). Songs that originate from my childhood, the beginnings of my career, right through to what is happening with me now, and a sneak peek into what is happening next... I also have two homages - one to the greenest girl in Oz and the other to my own icon from childhood right through to present day, Madonna!!! AL: What can you tell us about your guests for 'Music That Matters'? KB: I am utterly thrilled with who I have, some of my best friends have agreed to sing for and with me. My ex Les Mis cast mate, and partner in crime, Sophia Ragavelas, will be dueting with me on a song special to us. And Yorkshire's finest, the awesome Scott Garnham, will be singing something with me, no idea what yet though!! Both are currently in Title of a Show at The Landor. My favourite Aussie blonde bombshell, Erin Cornell, my Phantom co-star Kira Morsley, the girl with the best lungs and legs in Canada, Michelle Lafortune, my Pipe Dream love interest (and ex Wicked buddy) Charlotte Scott, Georgie Burdett and the gorgeous Loula Geater and Jeroen Robben (trust me ladies, and some gents, you won't want to miss him!). AL: Which 5 words best sum up 'Music That Matters'? KB: EEEEEK!!! Music, Matters, Laugh, Cry, Come!!!

Queen's Theatre Access Update & Q&A with Soprano Victoria Farley

Since Access London's last post on the Queen's Theatre (home to Les Miserables), there have been improvements made to the physical Access at the theatre. Previously there were problems with one of the doorways in the theatre, leading to one of the Accessible seating areas as it was not wide enough to accommodate most manual wheelchairs! Thankfully this has been corrected and the doorway widened to accommodate wheelchairs, manual and motorised, and also scooters. Access Info for Queen's: For wheelchair and scooter users, the entrance to the auditorium is through the fourth side door on Wardour Street – please ask a member of staff to open this for you. Level transfers are available in row D Dress Circle (may not be suitable for very low seated wheelchairs). There are places in Loge 1 and 2 that have level access. These will be suitable for wheelchairs which are maximum 1m in length and 64cm wide. Limited Mobility: 18 steps from the foyer up to the rear Dress Circle. 21 steps from the foyer down to the Stalls. 39 steps from the foyer to up the Upper Circle (this area is quite steep). Assistance dogs are allowed inside the auditorium, however Theatre Management can look after them if required. There is an Infra-red system with 12 headsets – Free hire upon production of ID. Please collect from foyer kiosk. You will be asked to sign a receipt. A £5.00 returnable deposit is required for the hire of the headsets. Please notify theatre at time of booking if you require this service. For signed, captioned and audio-described performances, patrons are requested to call: 0844 482 5166 or email access@delfontmackintosh.co.uk There is an adapted toilet with Radar lock in the foyer, accessed via a ramped corridor. Currently no bars in the theatre are accessible to wheelchair users but drinks can be brought into the auditorium. Tickets: To book discounted Access tickets (companion discount also) to see Les Miserables, call Access number and select 'Queen's Theatre' from the options on 0844 482 5137. Soprano, Victoria Farley, is a former Les Miserables cast member and part of the 25th Anniversary celebrations at the O2 in 2010. She is currently working on recording tracks in a classical/jazz crossover style, with the hope of recording an album in the near future. Victoria kindly answered some questions on Access recently and also some on her first recorded track, proving a big success on YouTube. Have a read what she has to say and check out her YouTube channel and follow on Twitter. AL: Many theatres/arts venues in London still have little or no disabled access. How aware are you of these issues? And how aware do you think others in the business are? VF: In all honesty, I was not at all aware of how many theatre/arts venues have restricted and even no disabled access, and I think I would be correct in saying that the vast majority of others in the industry are also unaware of this. AL: As a singer, how important is it to you that everyone who wants to see you perform can access the venue to do so? VF: As a performer, I feel a personal sense of responsibility to the audience at all times. To me it is of the utmost importance that every audience member has the most enjoyable time possible when visiting the theatre; in all aspects. I am also always immensely proud of the show I am in, and proud of everyone involved and it is wonderful to receive support from the audience. The fact is: No Audience, No Show. Without the support of the public, the theatre world would and could not exist. Therefore I feel ashamed that some theatres are obliged to turn away an audience member should they have a disability that cannot be accommodated. I understand there are difficulties with listed building restrictions on some of the older theatres, but in a time where health & safety, equal rights, human rights, political correctness and disability work awareness/equality are practiced in all sectors, I feel a sense of embarrassment that our sector of work is lagging so far behind. AL: Many theatres and theatre groups currently don't promote and publicise their Access details and rates particularly well. Could this be because they don't want to sell discounted Access tickets or do you think other reasons are involved? VF: I don’t think the discounted rates are an issue to theatres. With so much competition among the theatres, discounts and offers are promoted on a daily basis. Perhaps they are unaware of the issues faced in this matter, and that because so many venues do not offer Access, there will be certain audience members who are looking out for these tickets. It is something that must be bought to the attention of each venue, and the ones offering Access should be proud to stand up promote this, and encourage other theatres to follow suit. AL: Some of the larger arts venues (Barbican, ROH, RAH, RFH, Coliseum) have their own Access schemes with free membership, Access rates and dedicated Access teams. Do you think such schemes could work in West End and off West End theatres? VF: Absolutely. If you are welcomed into a place so warmly, you will be loyal to that place. As I mentioned before, the competition between each theatre is high so regular visitors and loyal members do wonders for those venues. All theatres should look into offering Access membership and rates as they will then recommend this venue to others. It would be especially worthwhile in off West End theatres as the shows change so regularly and it is always nice to welcome back familiar faces. AL: Any message to theatres owners about the future of Access for All? VF: Theatre owners should recognise the importance of Access for All. However large or small the venue is, they should be committed to offering whatever level of Access they can. It is unacceptable in this era to be turning away audience members because they cannot accommodate disabled members and theatres should be proud to stand up and say that they have made the difference. AL: You've performed in shows from Les Mis (incl the 25th Anniversary concerts) to Edwin Drood...what's made you choose to record songs, and possibly an album, at this time? VF: Having trained classically as a soprano, performing as a solo artist is something I am very used to, and before I branched into Musical Theatre, most of my performing experience were solo recitals/concerts. The idea of recording a new style of music was something I started working on 2 years ago, however I was fortunate enough to work solidly in theatre for those 2 years, so I put the recording on temporary hold. As soon as I finished pantomime this year, I took the bull by the horns and set to work whilst I had no other commitments. AL: Why a classical/jazz crossover? Where did the idea come from? VF: Just after I finished the Les Mis tour, I worked abroad for 6 months. I was singing lots of different genres of music, one of these being jazz. Jazz was a style I hadn’t worked on before and I loved it! When I started working on the idea of releasing a track, I couldn’t decide between jazz, and my first love: classical. Both are so very different, and would be marketed towards completely different listeners. And then it hit me: why not try a mixture of the two! AL: It's the first song you've recorded. What was the process like? VF: The process was quite long and tricky. Classical and jazz are completely different genres. Musically they are worlds apart, and they styles in which they are written differ in almost every way. Trying to merge the two in a way that was still sympathetic to the original aria wasn’t an easy one to work out and I did go through a stage of thinking “There is a reason why this hasn’t yet been tackled – it doesn’t work!” I was persistent however, and eventually we worked out a formula. AL: Who and what are your musical influences? VF: I have certainly been inspired by singers such as Il Divo, who have crossed classical with pop in order to make it more accessible to people who wouldn’t usually enjoy classical music, whilst still pleasing those that do listen to it. There have been many like Il Divo who are also achieving this. I have always been inspired by the greatest classical singers such as Andrea Bocelli, Pavarotti and Cecilia Bartoli, who literally raise the roof with their singing ability! AL: If an album is to be made (fingers crossed), what songs and ideas have you got for it? VF: I am currently working on a number of songs for a potential album. I also hope to be performing my own gigs soon. I am mainly sticking to the most celebrated and recognisable arias, although I will be throwing in some surprises! I shouldn’t be naming any numbers yet, as with the complications of creating new arrangements I could end up scrapping some of them, but ‘Nella Fantasia’ and ‘Canto Della Terra’ will definitely be amongst the mix. Thank you once again Victoria for answering those questions and supporting Access London and Access for All. Please check out Victoria's YouTube channel and her newest classical/jazz recording... Victoria Farley, O Mio Babbino Caro Video . You can keep up to date with Victoria's latest news and projects via her website www.victoriafarley.com . And by following her on Twitter @victoria_farley .

Three Phantoms UK Tour & New Wimbledon Theatre

After several months away, Access London is back! Thank you to everyone for your messages and support over the last few months, very much appreciated. Also finally back on Twitter after a break My Facebook and Twitter feeds have been full of status updates and excitement about this Summer's much anticipated UK tour of the Three Phantoms concert - not surprising as it's a fantastic show, great tunes, funny and performed by some incredibly talented singers. I've had quite a few messages asking about Access to the venues it's touring to. As it's a pretty extensive UK tour (followed by another in the Autumn), I can't give detailed info for all theatres involved. The blog is predominately about London venues, so I'll look at the New Wimbledon Theatre where the tour arrives to in a couple of weeks time. I will include links to the Access pages of all the other venues though, so if you're not in London, check them out and get yourselves to your nearest venue. The Show: Three Phantoms UK Summer tour opened in Dartford last week. Over the next 6 weeks, they are touring the UK extensively. "Earl Carpenter, Matthew Cammelle and Stephen John Davis (our current cast) have all played, to huge acclaim, the mysterious Phantom at Her Majesty’s Theatre in London and between them have given over 3,000 of the show’s 10,000 performances. Established and respected musical theatre performers in their own right, they have been regularly entertaining audiences worldwide in some of the world’s most popular musicals. They are joined onstage by the fantastic Rebecca Caine, whose performance as Christine Daaé in the original cast of The Phantom of the Opera opposite Michael Crawford and the Canadian premiere alongside Colm Wilkinson, was acclaimed on both sides of the Atlantic and who remains an equally respected artist with a career encompassing musicals and opera." "this outstanding show features over 20 songs from Les Misérables, West Side Story, Chicago, Kiss Me Kate, My Fair Lady and Wicked to name but a few. The beautiful staging of this concert, evoking the drama and excitement of the great musicals concludes by celebrating the world’s most successful entertainment phenomenon - The Phantom of the Opera." New Wimbledon Theatre: For wheelchair users (scooter users need to check with venue first) the Stalls are Accessible via the Russell Road Entrance. There is a wheelchair Accessible lift to Access the area and wheelchair spaces have a seat for a companion next to/nearby. If you are transfering into a theatre seat then please let the box office know. For those with limited mobility but who are able to do some stairs then aisle seats in the Stalls are bookable but note that there are steps between rows. An induction loop is available at the box office for those who are hard of hearing. Adapted toilets and a bar are Accessible in the Stalls area. Assistance dogs are allowed into the auditorium but please let the box office know before, when you book your tickets, as only a limited number are allowed per show. Three Phantoms is at the New Wimbledon on Tuesday 18th and Wednesday 19th June 2013, both shows starting at 7.30pm. To book Access tickets (at a discounted rate or companion free rate), call the Access booking line on 0844 871 7677. June Dates and Access bookings: Tuesday 4th - Wednesday 5th June at Bristol Hippodrome, tickets HERE . Thursday 6th - Friday 7th June at Theatre Royal Brighton, tickets HERE . Saturday 8th June at Leeds Grand Theatre, tickets HERE . Monday 10th - Tuesday 11th June at Wycombe Swan Theatre, tickets HERE . Wednesday 12th June at Birmingham Symphony Hall, tickets HERE . Thursday 13th June at Oxford New Theatre, tickets HERE . Friday 14th - Saturday 15th June at Worthing Pavilion Theatre, tickets HERE . Sunday 16th June at Milton Keynes Theatre, tickets HERE . Tuesday 18th - Wednesday 19th June at Wimbledon New Theatre, tickets HERE . Thursday 20th - Saturday 22nd June at Darlington Civic Theatre, tickets HERE . Tuesday 25th - Wednesday 26th June at Hull New Theatre, tickets HERE . Friday 28th - Saturday 29th June at Sunderland Empire, tickets HERE . Sunday 30th June at Carlisle THe Sands Centre, tickets HERE . July Dates and Access Bookings: Monday 1st - Wednesday 3rd July at His Majesty's Theatre Aberdeen, tickets HERE . Thursday 4th - Saturday 6th July at Theatre Royal Glasgow, tickets HERE . Thursday 11th July at Liverpool Philharmonic Hall, tickets HERE .

Merry Christmas from Access London

Welcome back to Access London and Thank You once again for helping to support Access for All to the Arts. Firstly, Merry Christmas to all the readers and supporters and here's to more changes and improvements to Access in 2013. 2012 has seen many positive changes and feedback from theatres and arts venues on Access. This includes the Royal Albert Hall who do have some serious issues to look at in terms of physical access as well as communication. However, they've made a positive start on it this year after many of the issues raised by Access London have been looked at and I thank you all for sending me stories of your experiences there. I am hopeful things will continue to improve in 2013. Other Arts venues continue to improve their already excellent Access lists and schemes including, Southbank Centre, The Barbican and The National and I hope that some of these ideas can one day be transferred to West End theatres/groups. Thank you once again to everyone who sends in feedback of theatres and venues you've visited and their Access, whether good or bad.

As passionate as I am about Access London and the issues it raises and fights for, I couldn't do it without the support of singers, actors and dancers who give their time and show support for what Access London aims to achieve. Below are Christmas messages from some who have been amazing with their support and I'd like to take this opportunity to again thank every single one of them, it really is much appreciated. To the readers, I hope you enjoy reading the messages as much as I did. Merry Christmas Everyone. x

Michael Xavier: "Sending lots of love and Christmas cheer to all those who support Access London. Thank you for your efforts and may 2013 be a lucky year for you all. x" Michael is currently playing Cornelius Hackl in Hello, Dolly! at the Leicester Curve until the 19th January 2013. To book tickets, see their website www.curveonline.co.uk . You can follow Michael on Twitter @michaelxavierMX

Rebecca Caine: "One of my New Year resolutions is not to take anything for granted. The fact I am able to see any show I want is something I never thought about until I realised that many venues are not accessible to disabled people. Something that is so easy for me and gives me such joy should be accessible to everyone. Thankyou Claire for all your work in this area. And let's hope that 2013 sees more and more venues making sure that theatre is accessible to everyone." You can keep up to date with all of Rebecca's concerts for 2013 on her website www.rebeccacaine.com . You can also follow her on Twitter @RebeccaCaine

Nick Wyschna: "Happy Christmas to all readers and supporters of Access London from all of us at Guildford Fringe Theatre Company. It's a pleasure to be associated with Claire and I pledge our support in any way we can in the coming years. Much love, Nick Wyschna." You can keep up to date with Guildford Fringe's shows and news by signing up to their newsletter HERE . Or check out their website www.guildfordfringe.com . You can also follow Nick on Twitter @NickWyschna

AJ Callaghan: "Wishing you a very Merry Christmas and a wonderful New Year. Please spread the festive cheer and remember those less fortunate with a simple gesture of buying someone, cold and alone, a hot drink and a sandwich and don't forget our four legged friends by donating a can of food to an animal rescue centre. It's the small gestures that make Christmas special." AJ is currently in Les Miserables at Queens Theatre, London and covers the role of Fantine. Her next Fantine dates are the 11th and 12th January 2013. To book Access tickets for Les Miserables, call the Access line on 0844 482 5137. You can also follow AJ on Twitter @AJCallaghan1

Will Barratt: "Very Merry Christmas to all the readers of Access London. Thank you for enjoying and supporting the arts, as I fully support Access for All. x" Will was part of the cast of Sweeney Todd at The Adelphi this year. To keep up to date with his news and projects, follow him on Twitter @willbarratt83

Jo Loxton: "Wishing everyone at Access London a fantastic Christmas and wonderful new year and here's to more support for Accessible Theatre in 2013! Much Love xxx" Jo will be joining the cast of Dear World as it makes its UK Premiere at the Charing Cross Theatre from the 4th February 2013. For tickets, visit their website www.charingcrosstheatre.co.uk . You can also follow Jo on Twitter @Joloxton

Chris Jenkins: "Huge Season's Greetings to Claire and all her lovely readers. Eat, Drink and be Happy!" Chris is currently performing in Spamalot at the Playhouse Theatre in London. To book Access tickets to see Spamalot, call the Access line on 0844 871 7677. You can follow Chris on Twitter @chrisjenko

Sofia Escobar: "Christmas is a magical time, a time for love, for family, for music and all round happiness! I wish you all a wonderful Christmas filled with joy and sparkles!" Sofia is currently playing Christine Daae in Phantom of the Opera. To book Access tickets to Phantom, call the Access line on 08444 124648. You can also follow Sofia on Twitter @sofia_escobar

Lee Bowen: "Wishing everyone involved and all readers of Access London a very Merry Christmas and a Happy New Year. Let's make 2013 an even bigger year for Access London, and push out the message that theatre is for everyone, and we all have the right to enjoy the rich variety of the arts." Lee will be playing Mr Upfold in Benjamin Britten's Albert Herring during Britten's centenary year and celebrations in 2013 with Mid Wales Opera that will be touring to London. You can follow Lee on Twitter @LeeBowenTenor

John Owen-Jones: "To all at Access London....Nadolig Llawen! JOJ" For details of John's concerts in 2013, see his website HERE . John's newly released single 'May Each Day' can also be purchased from HERE . You can follow John on Twitter @johnowenjones

Danny Whitehead: "Dear readers of Access London, I would like to take this opportunity to wish you a very Merry Christmas and hope that 2013 will bring health and happiness. I am a firm believer that Theatre and the arts play a vital role in our communities and that is why I am so passionate about performing and enjoy it so much. "The role of theatre in our society is difficult to define, for the theatre has almost an infinitive number of functions". Because of this, the importance of how accessible theatres, concert halls and arts venues are for absolutely everybody is extremely high. The fantastic work Access London do in highlighting this fact to theatres and venues is something that is particularly close to my heart as my mum and dad have worked and cared for adults and children with mental and physical disabilities for over twenty years. I have become very close to a lot of the people they work with and they have wanted to come and support me in many of the shows and concerts I have performed in, this has been getting easier to organise over the past year or so with venues improving their access and hospitality for all audience members. This improvement is down to the likes of Access London sharing information and bringing the issue of equal access to the theatre Management. I hope that 2013 is the year when all theatres realise how important it is to have Access for All! Have a fantastic Christmas!! Danny Whitehead xx" Danny was in the recent production of South Pacific that was at London's Barbican before touring the UK. To keep up to date with Danny's news and projects, follow him on Twitter @DannyWhitehead_

Victoria Farley: "As a professional actress, I understand the importance of supporting the arts, and I thank everyone who keeps this industry flourishing by their continued interest and support. I would like to believe that every person has the opportunity to participate in the rich culutural and artistic sector this country has to offer, regardless of any given disability. Earlier this year I was made aware of the Access London scheme and was shocked to realise how many London theatres/institutions are unable to accommodate certain disabilities. Learning about the scheme has given me the determination to help make a difference, and to encourage people to give some support to the people who support us. I would like to wish all readers a very Merry Christmas. I hope you enjoy some festive cheer and sparkly celebrations. I wish 2013 to bring love and support to this important scheme and equal opportunities for all. Lots of love and a big Christmas smile, Victoria x" Victoria played Rosa in The Mystery of Edwin Drood earlier this year at the Arts Theatre and is currently Wendy in Peter Pan at the Towngate Theatre. To book tickets, see their WEBSITE . You can follow Victoria on Twitter @victoria_farley

Richard Halton: "To all readers of Access London, Wishing you a very Merry Christmas and a happy and healthy 2013! xx" Richard is a singer, both opera and musical theatre, and a vocal coach. To keep up with all of Richard's news and projects, see his website HERE . You can also follow him on Twitter @richiehalton

Simon Shorten: "Wishing all the readers of Access London an amazing Christmas and new year. Thank you all for your continued support. x" Simon is currently in Phantom of the Opera and is House Cover for The Phantom. To book Access tickets for Phantom, call the Access line on 08444 124648. You can keep up to date with Simon's news and projects for 2013 on his website HERE . You can also follow Simon on Twitter @SiShorten

Claire Cook: "Wishing all at Access London a wonderful Christmas and a Happy and exciting New Year! Best wishes to all, Claire xxx" Claire is currently Dance Captain for Phantom of the Opera at Her Majesty's Theatre. You can follow Claire on Twitter @CookClaire

Paul Keating: "Wishing everyone a wonderful Christmas & New Year. I hope you get to enjoy some time off! I'm making the most of life without the '8 show week' this year and intend to gorge myself, whilst relaxing with my family & friends. Thank you all for supporting London Theatre Access throughout 2012!" Paul played the Scarecrow in the recent production of the Wizard of Oz at the London Palladium. To keep up to date with Paul's news, follow him on Twitter @1PaulKeating

Les Miserables @ Queen's Theatre & Q&A with Rebecca Caine and AJ Callaghan

Welcome back to Access London and Thank You once again for helping to support Access For All to the Arts. Opening on the 8th of October 1985 at The Barbican Theatre, Les Miserables is the world's longest running musical and will celebrate its 27th birthday in just over a weeks time. After a short run at The Barbican Theatre, the show transferred to The Palace Theatre in London's West End in December 1985 and spent 18 years there. In 2004, the show moved to its current home at The Queen's Theatre on Shaftesbury Avenue.

Access Information - Queen's Theatre: If you are a wheelchair or mobility scooter user or cannot manage stairs, please inform a member of staff upon arrival and they will escort you round to the Accessible entrance. The Accessible entrance to the auditorium is through the fourth side door on Wardour Street. If you are able to transfer from your chair, level transfers are available in row D (may not be suitable for very low seated wheelchairs) in the Dress Circle. Chairs and scooters will be taken and stored at the bottom of the stairs, next to the foyer. If you are a scooter user and prefer not to leave your key with a member of staff, you can drive the scooter there yourself and walk back up to your seat (back up a ramped walkway with handrails). For those needing/wishing to remain in their chairs, spaces are available in Loge 1 and 2 for you and a companion. These will be suitable for wheelchairs which are maximum 1m in length and 64cm wide. For those who can manage some stairs, the Queen's has: 18 steps from the foyer up to the rear Dress Circle. 21 steps from the foyer down to the Stalls. 39 steps from the foyer up to the Upper Circle (this area is quite steep). Assistance dogs are allowed into the auditorium or staff can sit with them during the performance.

Queen's is fitted with an infra-red system and there are 12 headsets available to use upon request and with the production of ID (please inform booking line if you require this service).These are available from the foyer (please ask a member of staff if you are unable to manage stairs), a receipt must be signed and £5 returnable deposit left. There is an Accessible WC next to the foyer, it can be accessed by radar key, or ask a member of staff for assistance to open it. None of the bars at Queen's are Accessible without negotiating stairs but drinks can be brought into the auditorium to those with disabilities. There is a discounted Access rate available to those with a disability, for you and a companion. Please note, there are a very limited number of Access discounted seats per performance and, for such a popular show, early booking is advised if you'd like to take advantage of these rates. To book Access seats and for all other Access information, please call the box office directly on 0844 482 5137 and press the option for the Queen's Theatre. There are occasional captioned and audio-described performances of Les Miserables scheduled. For details of the next performance, please call 0844 482 5166. A lot of readers have been asking me what singers and actors' knowledge and opinions of Access (and sometimes lack of Access) to our theatres and arts venues means to them. So, I've put some of your questions to them and will be posting a series of mini Q&As with some fabulously talented people. As this post's Access information was on Les Miserables, today's mini Q&A is with both the Original Cosette, Rebecca Caine, and current Les Mis cast member (and cover Fantine) AJ Callaghan. Thank you very much to both for their constant support.

Many theatres/arts venues in London still have little or no disabled access. How aware are you of these issues? And how aware do you think other people in the business are? RC: I wasn't at all aware and I'm shocked. I don't think most of us have much of an idea about these issues. AJC: From working front of house at The Theatre Royal, Drury Lane and talking to some of the disabled patrons, I am actually very aware of this. Drury Lane has a very good system in place which highlights the discrepancies in other venues. Unfortunately, due to the way theatres are built and because of the time they were built, not all of them have street level access to the auditorium. For instance, just across the road from Drury Lane, is The Fortune Theatre; this theatre has a very small entrance and access to all seating is either up or down stairs, which could be extremely problematic for a disabled patron. With regards to other people's awareness, I'm not really sure. It's not a conversation I've heard backstage recently but this doesn't mean people aren't aware.

As a singer and actor, how important is it to you that everyone who wants to see you perform can access the venue to do so? RC: It’s very, very important to me! AJC: Very Important. Everybody should have access to the arts.

Many theatres and theatre groups currently don't promote and publicise their Access details and rates particularly well. Could this be because they don't want to sell discounted Access tickets or do you think other reasons could be involved? RC: I don't know. Maybe. In the end it's all about the bottom line, sadly. AJC: Unfortunately, Theatre has become part of the corporate world. Making money is a very high priority, if not top of the list of aims for most shows these days. Therefore I hate to say it, but I think maybe it is a case of wanting to sell the seats at top price, rather than advertise a discounted rate, no matter who is affected as a result.

Some of the larger arts venues (Barbican, RFH, RAH, ROH, Coliseum) have their own Access schemes with free membership, large info packs, Access rates, dedicated Access teams. Do you think such schemes could work in West End and off West End theatres? RC: Interesting about those larger venues as they are subsidised. Yes, I believe it would work in the West End also. AJC: Definitely! As I mentioned earlier, Drury Lane has a brilliant access scheme. A separate entrance with a doorbell, which welcome’s the patrons at street level, taking you directly to the access seats. The disabled toilet is also in this area and the seats are set on a wider aisle, making it easier for people who aren't transferring to sit comfortably. An access host is employed on site whose job it is to ensure the well-being of access patrons and that all venue information is relayed proficiently. With a bit of thought and effort, I'm sure this system could be brought in to most, if not all, West End theatres. Any message to theatre owners and groups about the future of Access for All at their venues? RC: GET ON WITH IT. Theatre is for all. AJC: Just that arts audiences should not be defined in any way. Theatre should be accessible to all and as a theatre owner, it is your responsibility to make this possible.

Once again, a big Thank You to both Rebecca and AJ for taking the time to answer those. Rebecca will be returning to The Pheasantry (on the King's Road, London) to perform No, No Cosette! again on the 12th and 13th October. A fabulous evening... "Internationally acclaimed operatic and musical theatre soprano reveals her dark side. Music by Blitzstein, Vernon Duke, Turnage, Ravenhill/Offenbach, Kern, Porter, Novello, Yeston, Coward and more. With Nathan Martin on piano." The Pheasantry, unfortunately, can only be Accessed via a flight of stairs. If you can manage these, then it's a night not to be missed. To book for the 12th October, go HERE . For the 13th October, go HERE . For details of Rebecca's concerts, in Canada this Autumn and Winter, see her WEBSITE . Follow Rebecca on Twitter @RebeccaCaine .

AJ is currently performing in Les Miserables until June 2013. Her next dates as Fantine are: 1st & 2nd October, 11th-20th October and 29th November-1st December. To book Access seats for Les Miserables, call 0844 482 5137. Follow AJ on Twitter @AJCallaghan1 .

Pippin @ Menier Chocolate Factory & Interview with Frances Ruffelle

Welcome back to Access London and a Happy New Year to all! Hoping you all enjoyed a lovely Christmas and New Year holiday. Access London's first post of 2012 is dedicated to the new production of Pippin, currently playing at The Menier Chocolate Factory and also a special interview with Frances Ruffelle.

"In this coming-of-age story, Pippin, heir to the throne of Charlemagne, ventures on a quest of self-discovery, but in doing so our hero must face the uncertain worlds of warfare, love, politics and religion.

With music and lyrics by Stephen Schwartz (composer of Wicked and Godspell ) and book by Roger O. Hirson, The Menier Chocolate Factory’s new version has been completely re-conceived, directed and choreographed, incorporating Bob Fosse's original Tony Award-winning routines, by Mitch Sebastian."

The cast includes Harry Hepple, Carly Bawden, Frances Ruffelle, Matt Rawle and Ian Kelsey.

Pippin is running at the Chocolate Factory until the 25th February with performances Tuesday-Saturday evenings (8.00pm) and Saturday and Sunday Matinees (3.30pm). To book Access tickets and concessions, call the box office directly on 020 7378 1713.

Wheelchair access is via the main entrance on Southwark Street (the venue is not really suitable for scooters however). If you have any mobility or disability requirements, please explain to the box office when booking tickets so that they can arrange for any assistance needed and help you to book the most suitable seating for your needs. There is 1 space for a wheelchair at the front of the auditorium, with a space next to it for companion/carer. There are other options if you can transfer to a theatre seat. Unfortunately, there is no infra red loop system at this venue. However, it is a fairly intimate space so please explain any requirements at the box office when booking and they will arrange seating as close to the stage area as possible.


Access London is delighted to share with you an interview with Frances Ruffelle who plays Fastrada in Pippin. I'd like to again say a huge Thank You to Frances for taking the time to answer some questions....


AL: This new production of Pippin brings the story into a modern and cyber world, can you tell us anymore about this?

FR: It’s best for me not to spill too many beans… but yes, this Pippin is set in a virtual reality game world.


AL: This production has been completely re-conceived. But would it be correct to say it still includes Fosse's original routines?

FR: We do indeed have original Fosse routines and we also have some fosse-esque choreography. We were very lucky to have Chet Walker (who worked closely with Fosse) come teach us the real thing!


AL: What were the routines like to learn?

FR: Well to be honest my role doesn’t have very much original Fosse but I did learn some of the other routines and it was incredible to hear the original stories of their creation, especially the Gwen Verdon walk! Gwen was Pigeoned toed and had leg braces as a kid and Bob Fosse found a way to make her unique stance into a very sexy but quirky walk! I base my character's walk on that.


AL: The production has a great cast with yourself, Matt Rawle, Harry Hepple and Carly Bawden. What has it been like together as a company?

FR: We have a ball! We share a very big dressing room with a screen splitting the girls from the boys but we can hear everything each other is saying! It’s a complete laugh backstage. We play music and play tricks on each other. I sit next to Carly, she is the same age as my daughter and has great taste in music.


AL: What can you tell us of your portrayal of Fastrada?

FR: I chose to portray Fastrada as an Essex trophy wife! I thought quite topical for now with TOWIE and I was born in Essex (even though I don’t naturally have an essex accent). But she is clever and knows how to get what she wants but really she does not give a toss about anyone but herself and she thinks she is the business!


AL: As an off West End theatre, what is the Chocolate Factory like to perform in?

FR: I love the intimacy of working here in a small theatre but also it’s great to be in a theatre known for its incredible artistic successes and with its many supporters, we are lucky to have fabulously interested audiences.


AL: Do you have a favourite scene in the show?

FR: I love GLORY going into The Manson Trio, an epic dance/fight scene


AL: I know why I've booked tickets to see Pippin - the cast and to see the new take on it - but what would you say to people who are as yet undecided whether to come watch?

FR: If you like to be entertained this is the show! I watch whatever scene I am not in from the back because I can and I want to! I love it!


You can see Frances in Pippin at The Menier Chocolate Factory until the 25th February.

Frances also has her own show BENEATH THE DRESS that she will be performing at the Chocolate Factory on the evening of Sunday 12th February. You can book tickets for this via the WEBSITE or, for Access tickets, please call the box office on 020 7378 1713.

Frances' most recent album, 'Imperfectly Me' can be found on itunes or ordered from Dress Circle
You can also follow Frances on Twitter @frankieruff







COMING SOON: Les Miserables, Billy Elliot, Matilda

Cavendish Hotel - Winter Deals and Cocktails

Welcome back to Access London and Thank You once again for supporting disabled access in London.

Today's post is dedicated to the Cavendish Hotel - Access London's recommended hotel. Located on Jermyn Street, a stone's throw from Piccadilly Circus, The Cavendish is ideally placed to visit theatres, galleries, shops and attractions. The accessible entrance is via the hotel's drop off point on Duke Street where there is level access into the reception area and lifts up to the lounge, restaurant, lounge bar and rooms.

For those wishing to catch a show whilst staying at The Cavendish, the nearest theatres include: The Criterion Theatre (The 39 Steps), Her Majesty's (Phantom of the Opera), Jermyn Street Theatre (check their website for latest show - this theatre has no step-free access though), Theatre Royal Haymarket (currently - The Lion In Winter), Gielgud (currently The Ladykillers), Queens (Les Miserables), Lyric (Thriller Live!).

Other attractions close to the hotel include The Royal Academy of Art, just 2 minutes away on Piccadilly, Royal Parks (Green Park and St James'), National and Portrait Galleries, Buckingham Palace, Fortnum & Masons, the shops of Jermyn Street and Regent Street.

The Cavendish has some beautifully designed accessible rooms available that include an accessible roll-in shower room. For those with more mobility, treat yourself to a stay in an Executive room - includes a seperate shower and bath, but not a roll-in one - the room however is plenty big enough to accommodate wheelchairs and scooters.

The Cavendish has some fantastic, festive Winter Deals on right now, lasting through to the end of January, you can find out all the details HERE . If you do require an accessible room though, you will need to ring the main reservations number on 020 7930 2111 and check the rooms are available for the dates you require before booking them online. The Petrichor restaurant at The Cavendish is offering a special Christmas lunch and dinner menu which can be seen HERE .

Petrichor can be accessed using a ramp if you are a wheelchair or scooter user or there are 3 shallow steps with a handrail. Once inside, the restaurant is spacious with a choice of different types of seating and ample room for wheelchairs. You can make a booking or enquire further by calling the Petrichor on 020 7930 2111. The Cavendish have also created a festive twist on their traditional afternoon tea for the holiday season - their lounge is a great place to stop off after Christmas shopping to relax and enjoy afternoon tea for under £20 per person! For details on all the festive deals and goings-on at The Cavendish SEE THEIR WEBSITE HERE

Finally, I recently went to a cocktail evening and masterclass at The Cavendish, led by cocktail experts Gabor and Warren. I would definitely recommend a trip to one of the two bars at the hotel to try one of this season's delicious cocktails, all at very reasonable prices. The lounge bar is fully accessible if you are a wheelchair or scooter user and is on the 1st floor - accessed via one of the 3 lifts from the ground floor reception area. The lobby bar can only be accessed by several steps but there is a handrail if you are able to manage a few steps. However you choose to, enjoy The Cavendish Hotel this festive season!


COMING SOON: Billy Elliot, Pippin, Jersey Boys, The Ladykillers